Cover
Title Page
Copyright
Contents
Acknowledgments
Introduction
PART I: PERFORMANCE
1. Balance of Power: Music as Art and Social Class in the Late Nineteenth Century
2. From Flatbush to Fun Home: The Broadway Musical’s “Cozy Cottage” Trope
3. Secular Music in Shape Notes
PART II: PATRONAGE
4. Love in a Village and a New Direction for Musical Theater in Eighteenth-Century America
5. “We’re Marching to Zion”: Isaac Watts in America
6. Living in the (Publishing) House of Music: A Short History of Composer-Driven Independent Publishing and Distribution in the United States
7. American Music Goes to School: A Point of View and a Case in Point
PART III: IDENTITY
8. Bodies of Music / Songs of Magic
9. Defying Boundaries and Escaping Stereotypes: African American Entertainers in the Late Nineteenth Century
10. The “Most Distinctive and Biggest Benefit that Broadway Has Ever Known”: Producing, Performing, and Applauding across the Color Line in the Twilight of the Jazz Age
11. Dialogue without Words: Identities and Dichotomies in Copland’s Piano Quartet
PART V: ETHNOGRAPHY
12. Ferruccio Busoni and The Indians’ Book
13. Fieldwork on the American Campus
14. Authorship in the Age of Configurable Music
15. Mark Tucker, Thelonious Monk, and “Misterioso”
Contributors
Index