In Rewrite Man, Alison Macor tells an engrossing story about the challenges faced by a top screenwriter at the crossroads of mixed and conflicting agendas in Hollywood. Whether writing love scenes for Tom Cruise on the set of Top Gun, running lines with Michael Keaton on Beetlejuice, or crafting Nietzschean dialogue for Jack Nicholson on Batman, Warren Skaaren collaborated with many of New Hollywood’s most powerful stars, producers, and directors. By the time of his premature death in 1990, Skaaren was one of Hollywood’s highest-paid writers, although he rarely left Austin, where he lived and worked. Yet he had to battle for shared screenwriting credit on these films, and his struggles yield a new understanding of the secretive screen credit arbitration process—a process that has only become more intense, more litigious, and more public for screenwriters and their union, the Writers Guild of America, since Skaaren’s time. His story, told through a wealth of archival material, illuminates crucial issues of film authorship that have seldom been explored.

ALISON MACOR is the author of Chainsaws, Slackers, and Spy Kids: Thirty Years of Filmmaking in Austin, Texas, which won the Peter C. Rollins Book of the Year Award from the Southwest Popular/American Culture Association.A freelance writer, she holds a PhD in film history and has taught film courses at the University of Texas at Austin and Texas State University.

• Introduction
• One. From Hallingdal to Houston
• Two. Hollywood on the Colorado
• Three. Breaking Away
• Four. Highway to the Danger Zone
• Five. Hollywood Gothic
• Six. One Hit After Another
• Seven. Batmania
• Eight. The Man Hollywood Trusts
• Conclusion
• Acknowledgments
• Notes
• Select Bibliography
• Index