ABOUT THIS BOOK

The Bohemian Body examines the modernist forces within nineteenth- and twentieth-century Europe that helped shape both Czech nationalism and artistic interaction among ethnic and social groups—Czechs and Germans, men and women, gays and straights.
By re-examining the work of key Czech male and female writers and poets from the National Revival to the Velvet Revolution, Alfred Thomas exposes the tendency of Czech literary criticism to separate the political and the personal in modern Czech culture. He points instead to the complex interplay of the political and the personal across ethnic, cultural, and intellectual lines and within the works of such individual writers as Karel Hynek Mácha, Bozena Nemcová, and Rainer Maria Rilke, resulting in the emergence and evolution of a protean modern identity. The product is a seemingly paradoxical yet nuanced understanding of Czech culture (including literature, opera, and film), long overlooked or misunderstood by Western scholars.

AUTHOR BIOGRAPHY

Alfred Thomas is professor and head of Slavic and Baltic Languages and Literatures at the University of Illinois at Chicago. He is author of several books, including Anne's Bohemia: Czech Literature and Society, 1310–1420. He is also the coeditor of Cultures of Forgery: Making Nations, Making Selves.

REVIEWS

“Thomas’s book is remarkable for its scope and intellectual coherence. He notes that the oscillation between the parochial concerns of a small nation under threat of cultural extinction and a cosmopolitan impulse, that is no less powerful, is evident in Czech literary scholarship. The Bohemian Body’s novel point of view is bound to stimulate discussion across the field of Czech literary criticism.”—Maria Nemcová Banerjee, Smith College, author of Terminal Paradox: The Novels of Milan Kundera

“Through a series of careful readings of modern Czech-language literature and film, Thomas deploys gender analysis to reveal a consistent interplay within the texts between the personal and the political, as well as between local and European identities. Wary of strict categorizations, he celebrates complexity and plurality. Engagingly written and well-argued, The Bohemian Body will challenge historians and literary critics alike to rethink how we interpret Czech works of art.”—Chad Bryant, University of North Carolina at Chapel Hill

TABLE OF CONTENTS

Contents
Preface		000
Introduction	000
1. Maidens, Barbarians, and Vampires: Nationality and Sexuality in Nineteenth-Century Czech Literature	000
2. Gender, Form, and Ethnicity in Nineteenth-Century Czech Women's Writing	000
3. Czech Mates: Homosexuality in Czech Modernist Short Fiction, 1917-20	000
4. Between Paris and Moscow: Czech Avant-Garde Poetry, 1920-38	000
5. Golems, Robots, and Femmes Fatales: The Drama of Karel Capek	000
6. Terror and Dream were my Father and Mother: Postwar Czech Fiction and Film	000
7. "The Unborn:" Postwar Feminist Fiction and Film	000
Notes	000
Bibliography	000
Index	000

EXCERPT

“At the heart of the tension between individualism and collectivism is the paradox of modernity itself. The rise of nationalism at the end of the eighteenth century witnessed the concomitant emergence of a discourse of human rights and a new emphasis on the dignity of man as an individual. Thus, at the precise moment when the earliest writers of the National Revival began to forge a political sense of their collective identity as Czechs, they were also confronting other constructions of identity such as socialism, feminism and, somewhat later, a proto-gay rights movement.”

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