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BUY FROM PUBLISHER	Bloodstoppers and Bearwalkers: Folk Traditions of Michigan’s Upper Peninsula by Richard M. Dorson edited by James P. Leary University of Wisconsin Press, 2008 Paper: 978-0-299-22714-2 Library of Congress Classification GR110.M6D67 2008 ABOUT THIS BOOK \| AUTHOR BIOGRAPHY \| REVIEWS \| TOC \| EXCERPT \| REQUEST ACCESSIBLE FILE ABOUT THIS BOOK Remote and rugged, Michigan’s Upper Peninsula (fondly known as “the U.P.”) has been home to a rich variety of indigenous peoples and Old World immigrants—a heritage deeply embedded in today’s “Yooper” culture. Ojibwes, French Canadians, Finns, Cornish, Poles, Italians, Slovenians, and others have all lived here, attracted to the area by its timber, mineral ore, and fishing grounds. Mixing local happenings with supernatural tales and creatively adapting traditional stories to suit changing audiences, the diverse inhabitants of the U.P. have created a wealth of lore populated with tricksters, outlaws, cunning trappers and poachers, eccentric bosses of the mines and lumber camps, “bloodstoppers” gifted with the lifesaving power to stop the flow of blood, “bearwalkers” able to assume the shape of bears, and more. For folklorist Richard M. Dorson, who ventured into the region in the late 1940s, the U.P. was a living laboratory, a storyteller’s paradise. Bloodstoppers and Bearwalkers, based on his extensive fieldwork in the area, is his richest and most enduring work. This new edition, with a critical introduction and an appendix of additional tales selected by James P. Leary, restores and expands Dorson’s classic contribution to American folklore. Engaging and well informed, the book presents and ponders the folk narratives of the region’s loggers, miners, lake sailors, trappers, and townsfolk. Unfolding the variously peculiar and raucous tales of the U.P., Bloodstoppers and Bearwalkers reveals a vital component of Upper Midwest culture and a fascinating cross-section of American society. AUTHOR BIOGRAPHY Richard M. Dorson (1916–81) was a professor of history and folklore at Indiana University and the author of many books on American folk traditions, including American Folklore; America in Legend: Folklore from the Colonial Period to the Present; and Folklore and Folklif: an Introduction. James P. Leary is professor of folklore and Scandinavian studies at the University of Wisconsin–Madison, where he also directs the Folklore Program and is cofounder of the Center for the Study of Upper Midwestern Cultures. A native of northern Wisconsin, he is the author of Wisconsin Folklore; So Ole Says to Lena: Folk Humor of the Upper Midwest; and Polkabilly: How the Goose Island Ramblers Redefined American Folk Music. REVIEWS “An important re-introduction of an American folklore classic.”—Carl Lindahl, University of Houston “A collection of traditions, tales, superstitions, practices, and folk biographies that range from the slyly humorous to the bawdy. . . . These are human beings, a folk, not sitting for a portrait, but caught alive as it were in fine amber, a permanent possession.”—Thelma G. James, Journal of American Folklore “Dorson’s first great book—published amidst Cold War clamoring for Americanism defined in narrow, Eastern-oriented, Anglo-Protestant, assimilationist terms—asserted unequivocally that the Upper Midwest, with its unruly democratic mixture of indigenous and immigrant peoples, its rustic working class babel of Native and foreign tongues, was also an American place, and a quintessential one at that. In writing what he did when he did, Dorson anticipated a whole generation of scholars dedicated to challenging canons by emphasizing the power, worth, and endless creativity of grassroots, plural, hybrid, and creolized cultures fermenting at the margins of staid, hierarchical social orders.”—James P. Leary, from the introduction TABLE OF CONTENTS Introduction by James P. Leary 000 Preface to the 1971 edition 000 Acknowledgments to the 1971 edition 000 The Background of This Book 1 Part I. The Indian Tradition 1. Indians Stuffed and Live 15 2. Bearwalkers 26 3. Tricksters and Thunders 38 Part II. The European Tradition 4. Canadiens 69 5. Cousin Jacks 103 6. Finns 123 7. Bloodstoppers 150 Part III. The Native Tradition 8. Townsfolk 169 9. Lumberjacks 186 10. Miners 211 11. Lakesmen 231 12. Sagamen 249 Notes on the Tales 275 More Commentary and Tales from the Upper Peninsula 000 Index 000 EXCERPT “In writing what he did when he did, Dorson anticipated a whole generation of scholars dedicated to challenging canons by emphasizing the power, worth, and endless creativity of grassroots, plural, hybrid, and creolized cultures fermenting at the margins.”—James P. Leary, from the new introduction REQUEST ACCESSIBLE FILE If you are a student who has a disability that prevents you from using this book in printed form, BiblioVault may be able to supply you with an electronic file for alternative access. Please have the disability coordinator at your school fill out this form. It can take 2-3 weeks for requests to be filled. See other books on: Dorson, Richard M. \| Folklore \| Folklore & Mythology \| Leary, James P. \| Michigan See other titles from University of Wisconsin Press

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REVIEWS

“An important re-introduction of an American folklore classic.”—Carl Lindahl, University of Houston

“A collection of traditions, tales, superstitions, practices, and folk biographies that range from the slyly humorous to the bawdy. . . . These are human beings, a folk, not sitting for a portrait, but caught alive as it were in fine amber, a permanent possession.”—Thelma G. James, Journal of American Folklore

“Dorson’s first great book—published amidst Cold War clamoring for Americanism defined in narrow, Eastern-oriented, Anglo-Protestant, assimilationist terms—asserted unequivocally that the Upper Midwest, with its unruly democratic mixture of indigenous and immigrant peoples, its rustic working class babel of Native and foreign tongues, was also an American place, and a quintessential one at that. In writing what he did when he did, Dorson anticipated a whole generation of scholars dedicated to challenging canons by emphasizing the power, worth, and endless creativity of grassroots, plural, hybrid, and creolized cultures fermenting at the margins of staid, hierarchical social orders.”—James P. Leary, from the introduction