“Moses creates characters who are flummoxed and struggling, whether with their souls, tragedy, family, loneliness, or neighbors. Throughout, her voice is breathtaking. It carries us through time and is as palpable and real as her characters. The reader follows it, enchanted.”
— S.L. Wisenberg, author of The Adventures of Cancer Bitch
“Moses has the great writer’s gift: she deftly peels back the skin of ordinary lives—the follies, the griefs, the passing ecstasies—to reveal the tremors of yearning beneath.”
— Benjamin Balint, author of Bruno Schulz
“I haven’t laughed so hard or as guiltily at my people’s misfortunes, missteps, and misadventures since the first time I read Cynthia Ozick’s ‘Envy; or, Yiddish in America.’ The things Moses writes about in this impossible-to-put-down collection are either 100% true or true enough, and were I not feeling so guilty, believe me, I’d be laughing much, much louder.”
— Paul Goldberg, author of The Dissident
“In straightforward language, Moses portrays characters who are ordinary and who, despite being affluent and successful, stumble through life. They are interesting because of their flawed inner selves, which are depicted with both empathy and gentle ridicule.”
— Foreword Reviews
“Refreshing. . . . Delivers the puff of hope we are all perennially desperate for. . . . It doesn’t matter that we’ve been told before. It is always good to hear it again.”
— Jewish Book Council
“[Moses’s] characters, connected to Judaism in a variety of ways, deal with strained and complex relationships, whether they be romantic, platonic, or residential. . . . The stories range from the humorous — a battle between the editor of a magazine on dying languages and an author of self-indulgent novels — to the more serious — a woman coming to terms with her husband’s sexual immorality. But they all carry a Jewish essence. . . . At the heart of each story are emotions and conflicts that most people have experienced.”
— The Forward
“[Moses’s] imagination and vision are multi-dimensional. She sees her characters and their situations from all sides, and her skill is bringing their yearnings, frustrations, illusions, love, and hate to life for her reader. She achieves this superbly. You’ve Told Me Before proves, if proof were needed after her first wonderful foray into this specialized literary field, that Jennifer Anne Moses is a master of the short story genre.”
— The Jerusalem Post