Contents
Introduction
Part One: Contexts
One. Multicultural Text, Intercultural Performance
Two. Performing Intercultural Memory in the Diasporic Present
Part Two: Dramaturgies
Three. Toward a Filipino Canadian Dramaturgy: The Carlos Bulosan Collective
Four. Indigenous Knowledge, Contemporary Performance: Dramaturgies of Decolonization
Five. to be dub, female, and black: toward a womban-centred Afro-Caribbean diasporic performance aesthetic
Part Three: Mediations
Six. The Modern in Modern Times
Seven. The Intermedial Intercultural and the Limits of Empathy: Aluna Theatre’s Nohayquiensepa / with Jessica Riley
Eight. Cahoots
Conclusion
Appendix 1: The Intercultural Performance Ecology of Toronto
Appendix 2: List of Artists
Works Cited
Index