Latinx peoples and culture have permeated Shakespearean performance in the United States for over 75 years—a phenomenon that, until now, has been largely overlooked as Shakespeare studies has taken a global turn in recent years. Author Carla Della Gatta argues that theater-makers and historians must acknowledge this presence and influence in order to truly engage the complexity of American Shakespeares. Latinx Shakespeares investigates the history, dramaturgy, and language of the more than 140 Latinx-themed Shakespearean productions in the United States since the 1960s—the era of West Side Story. This first-ever book of Latinx representation in the most-performed playwright’s canon offers a new methodology for reading ethnic theater looks beyond the visual to prioritize aural signifiers such as music, accents, and the Spanish language.

The book’s focus is on textual adaptations or performances in which Shakespearean plays, stories, or characters are made Latinx through stage techniques, aesthetics, processes for art-making (including casting), and modes of storytelling. The case studies range from performances at large repertory theaters to small community theaters and from established directors to emerging playwrights. To analyze these productions, the book draws on interviews with practitioners, script analysis, first-hand practitioner insight, and interdisciplinary theoretical lenses, largely by scholars of color. Latinx Shakespeares moves toward healing by reclaiming Shakespeare as a borrower, adapter, and creator of language whose oeuvre has too often been mobilized in the service of a culturally specific English-language whiteness that cannot extricate itself from its origins within the establishment of European/British colonialism/imperialism.

Carla Della Gatta is Assistant Professor of English at Florida State University.

"Works such as Latinx Shakespeares are, or should be, for everybody. That the study is performance-centered, concerned with its audience's use of Shakespeare "as a tool of activism" and an essential part of intracultural American theater, should be heartening for anyone worried about the plays' contemporary societal relevance."
--Shakespeare Quarterly— M.L. Stapleton, Shakespeare Quarterly

— Jon D. Rossini

"The pairing of Shakespearean texts with Latinx adaptations is particularly revelatory, and Della Gatta balances her descriptions of each play and performance so that scholars from each of the overlapping areas of Latinidad, Shakespeare, and performance studies are grounded and engaged. Latinx Shakespeares is an indispensable record of, and argument for, the richness and productivity of Shakespearean performance of, by, and for Latinidad."
-Ethnic and Third World Literatures— Michael Vaclav, Ethnic and Third World Literatures

"Those of us who have ventured into the theatrical act of Latinizing Shakespeare have found a fellow traveler in Carla Della Gatta. In her most recent book, Latinx Shakespeares: Staging U.S. Intracultural Theater, she has identified our practices and brought them into focus for artists, scholars, and general readers alike."
—Theatre Survey— Guillermo Reyes, Theatre Survey

"Latinx Shakespeares supplies an authoritative and indispensable resource on theatrical uses of Shakespeare as a conduit for onstage explorations of Latinidad, and of Latinidad's aesthetic, creative, and critical futures as examined through dramaturgical engagements with Shakespeare."
--Shakespeare Bulletin— Shakespeare Bulletin

— Thomas Cartelli

— Brian Herrera