Foreword: The Intertextual Network - J. Peter Burkholder
Contents
Introduction - Lori Burns and Serge Lacasse
Section I. Transtextualities
1. Toward a Model of Transphonography - Serge Lacasse
2. Genettean Hypertextuality as Applied to the Music of Genesis: Intertextual and Intratextual Approaches - Roger Castonguay
Section II. Intertextual Analyses
3. The Bitter Taste of Praise: Singing “Hallelujah” - Allan Moore
4. The Electric Light Orchestra and the Anxiety of the Beatles’ Influence - Mark Spicer
5. “If You’re Gonna Have a Hit”: Intratextual Mixes and Edits of Pop Recordings - Walter Everett
6. Someone and Someone: Dialogic Intertextuality and Neil Young - William Echard
7. Intertextuality in the Nineteenth-Century French Vaudeville - Mary S. Woodside
Section III. Intermedial Subjectivities
8. Rap Gods and Monsters: Words, Music, and Images in the Hip-Hop Intertexts of Eminem, Jay-Z, and Kanye West - Lori Burns and Alyssa Woods
9. Performative Strategies and Musical Markers in the Eurythmics’ “I Need a Man” - Stan Hawkins
Section IV. Intertextual Productions
11. Intertextuality and Lineage in The Game’s “We Ain’t” and Kendrick Lamar’s “m.A.A.d. City” - Justin A. Williams
12. Mix Tapes, Memory, and Nostalgia: An Introduction to Phonographic Anthologies Serge Lacasse and Andy Bennett
List of Contributors
Index