Analyzing literary texts and films, White Rebels in Black shows how German authors have since the 1950s appropriated black popular culture, particularly music, to distance themselves from the legacy of Nazi Germany, authoritarianism, and racism, and how such appropriation changes over time. Priscilla Layne offers a critique of how blackness came to symbolize a positive escape from the hegemonic masculinity of postwar Germany, and how black identities have been represented as separate from, and in opposition to, German identity, foreclosing the possibility of being both black and German. Citing four autobiographies published by black German authors Hans Jürgen Massaquo, Theodor Michael, Günter Kaufmann, and Charly Graf, Layne considers how black German men have related to hegemonic masculinity since Nazi Germany, and concludes with a discussion on the work of black German poet, Philipp Khabo Köpsell.

Priscilla Layne is Associate Professor of German and Adjunct Assistant Professor of African and African American Diaspora Studies at the University of North Carolina at Chapel Hill.

— Black Perspectives

— Mona Eikel-Pohen, Studies in 20th & 21st Century Literature

— Andrew Wright Hurley, Seminar: A Journal of Germanic Studies

— The Black Scholar

— Dirk Gottsche, Monatshefte

— German Studies Review

— A German Studies Yearbook

— Nicole Coleman, Feminist German Studies

— Modern Language Association, MLA Aldo and Jeanne Scaglione Prize for Studies in Germanic Languages and Literatures