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No Coward Soldiers
Harvard University Press, 2005 eISBN: 978-0-674-04068-7 | Cloth: 978-0-674-01507-4 Library of Congress Classification E185.6.M3625 2005 Dewey Decimal Classification 305.89607309045
ABOUT THIS BOOK | TOC
ABOUT THIS BOOK
In a vibrant and passionate exploration of the twentieth-century civil rights and black power eras in American history, Martin uses cultural politics as a lens through which to understand the African-American freedom struggle. In the transformative postwar period, the intersection between culture and politics became increasingly central to the African-American fight for equality. In freedom songs, in the exuberance of an Aretha Franklin concert, in Faith Ringgold's exploration of race and sexuality, the personal and social became the political. See other books on: African American arts | African Americans | Civil Rights | Politics and culture | Race identity See other titles from Harvard University Press |
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Nearby on shelf for United States / Elements in the population / Afro-Americans:
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No Coward Soldiers
ABOUT THIS BOOK | TOC
Harvard University Press, 2005
eISBN: 978-0-674-04068-7
Cloth: 978-0-674-01507-4
eISBN: 978-0-674-04068-7
Cloth: 978-0-674-01507-4
In a vibrant and passionate exploration of the twentieth-century civil rights and black power eras in American history, Martin uses cultural politics as a lens through which to understand the African-American freedom struggle. In the transformative postwar period, the intersection between culture and politics became increasingly central to the African-American fight for equality. In freedom songs, in the exuberance of an Aretha Franklin concert, in Faith Ringgold's exploration of race and sexuality, the personal and social became the political.
ABOUT THIS BOOK | TOC
