by Pierre Boulez
edited by Jean-Jacques Nattiez
translated by Martin Cooper
Harvard University Press, 1986
Cloth: 978-0-674-64375-8 | Paper: 978-0-674-64376-5
Library of Congress Classification ML60.B796P613 1986
Dewey Decimal Classification 780

ABOUT THIS BOOK | REVIEWS
ABOUT THIS BOOK

Pierre Boulez is one of the most influential—and controversial—figures in the world of contemporary music. As composer, conductor, and critic, his challenging views of modern developments are lent a special authority by his high standing as an interpreter of classic composers. Orientations will enhance his reputation as a lucid expositor of the modern composer's world.

When writing about composing and analysis Boulez forges a new way of thinking about music. He is immensely illuminating about his own compositions. He offers special insight on composers with whom he has been particularly associated as a conductor—including Berlioz, Debussy, Wagner, Mahler, Schoenberg, Stravinsky, and Messiaen. And he writes about performance and orchestras, tackling the question of how to make new music more familiar for the concert-goer. This rich and wide-ranging volume is truly a special resource for everyone wanting to learn more about twentieth-century music.