Ohio University Press, 2005 Paper: 978-0-8040-1071-9 | Cloth: 978-0-8040-1070-2 Library of Congress Classification PS3503.O195A6 2005 Dewey Decimal Classification 811.52
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
ABOUT THIS BOOK
Although best known as a master of the formal lyric poem, Louise Bogan (1897–1970) also published fiction and what would now be called lyrical essays. A Poet’s Prose: Selected Writings of Louise Bogan showcases her devotion to compression, eloquence, and sharp truths.
Louise Bogan was poetry reviewer for the New Yorker for thirty-eight years, and her criticism was remarkable for its range and effect. Bogan was responsible for the revival of interest in Henry James and was one of the first American critics to notice and review W. H. Auden. She remained intellectually and emotionally responsive to writers as different from one another as Caitlin Thomas, Dorothy Richardson, W. B. Yeats, André Gide, and Rainer Maria Rilke.
Bogan’s short stories appeared regularly in magazines during the 1930s, penetrating the social habits of the city as well as the loneliness there. The autobiographical element in her fiction and journals, never entirely confessional, spurred some of her finest writing. The distinguished poet and critic Mary Kinzie provides in A Poet’s Prose a selection of Bogan's best criticism, prose meditations, letters, journal entries, autobiographical essays, and published and unpublished fiction.
Louise Bogan won the Bollingen Prize in 1954 for her collected poems. She is the subject of the Pulitzer Prize-winning biography by Elizabeth Frank, Louise Bogan: A Portrait.
AUTHOR BIOGRAPHY
Mary Kinzie is a poet and critic who teaches in the creative writing program she founded at Northwestern University. Her books of poetry include Summers of Vietnam and Autumn Eros. Most recently, her collection Drift was published by Alfred A. Knopf.
REVIEWS
“In whatever she wrote, the line of truth was exactly superimposed on the line of feeling. One look at her work—or sometimes one look at her—made any number of disheartened artists take heart and go on being the kind of dedicated creatures they were intended to be.”—The New Yorker
“I am deeply grateful for this collection of Louise Bogan’s prose. She is an American lyric master, both in prose and poetry, a critic of singular distinction and acuity. She has not been given her due, and this collection will go far to redressing the balance.”—Mary Gordon
“This master lyric poet’s crisp, insightful New Yorker pieces on poetry hold up superbly to the passing of time and fashions. But beyond those brilliant reviews, here are unexpected treasures: Bogan’s fiction, letters and journal entries disclose in new ways a literary mind of distinction, wit and depth. In the unpublished poems too, there are flashes of gold. A treasure-book.”—Robert Pinsky
TABLE OF CONTENTS
Contents
Sources and Acknowledgments 000
Editor's Note 000
Abbreviations 000
Louise Bogan in Her Prose, by Mary Kinzie 000
I. Fiction 1
Keramik (1927) 000
Winter Morning (1928) 000
Art Embroidery (1928) 000
Soliloquy (1928) 000
Hydrotherapy (1931) 000
Sabbatical Summer (1931) 000
When It Is Over (1931) 000
Zest (1931) 000
Journey Around My Room (1933) 000
The Short Life of Emily (1933) 000
The Last Tear (1933) 000
Conversation Piece (1933) 000
Coming Out (1933) 000
Dove and Serpent (1933) 000
Letdown (1934) 000
Not Love, but Ardor (1934) 000
Saturday Night Minimum (1935) 000
To Take Leave (1935) 000
Whatever It Is (1936) 000
II. Journals and Memoir 000
On the Bogans 000
Self-Portrait, with Politics 000
Unsent Questionnaire 000
Self-Questionnaire 000
The Sudden Marigolds 000
The Gardner Family 000
Mary Shields Bogan 000
Childhood in Boston 000
The Repressed Narrative 000
The Aperçu 000
Managing the Unconscious 000
Thumbnails 000
Out of All Moments Forever 000
The Time of Day 000
How Can I Break These Mornings? 000
Final Questionnaire 000
III. Letters 000
IV. Criticism 000
Colette (1930) 000
W. B. Yeats (1934, 1936, 1938, 1939, 1940, 1951) 000
W. H. Auden (1934, 1935, 1937, 1938, 1941, 1944, 1945, 1947, 1951, 1955, 1957, 1960) 000
Henry James (1936, 1944, 1945) 000
T. S. Eliot (1936, 1939, 1943) 000
Federico García Lorca (1937, 1940) 000
Elizabeth Bowen (1939) 000
James Joyce (1939, 1944) 000
Ezra Pound (1940, 1948, 1956) 000
Gustave Flaubert (1942) 000
Folk Art (1943) 000
Isak Dinesen (1943) 000
Detective Novels (1944) 000
André Gide (1944, 1947, 1948) 000
Robert Lowell (1946, 1959, 1965, 1967) 000
Charles Baudelaire (1947) 000
The Heart and the Lyre (1947) 000
Marianne Moore (1948) 000
Johann Wolfgang von Goethe (1949) 000
Wallace Stevens (1950, 1954) 000
Ivy Compton-Burnett (1951) 000
Caitlin Thomas (1957) 000
Juan Ramón Jiménez (1958) 000
Philip Larkin (1958, 1965) 000
Dorothy Richardson (1967) 000
Poetry Appendix 000
Uncollected Poems 000
A Night in Summer (1911) 000
The Betrothal of King Cophetua (1915) 000
The Young Wife (1917) 000
Survival (1921) 000
Elders (1922) 000
Resolve (1922) 000
Leave-Taking (1922) 000
To a Dead Lover (1922) 000
Decoration (1923) 000
A Letter (1923) 000
Words for Departure (1923) 000
Epitaph for a Romantic Woman (1923) 000
Song ("Love me because I am lost") (1923) 000
Pyrotechnics (1923) 000
The Stones (1923) 000
Trio (1923) 000
The Flume (1929) 000
Old Divinity (1929) 000
For an Old Dance (1930) 000
The Engine (1931) 000
Gift (1932) 000
Hidden (1936) 000
New Moon (1937) 000
Untitled ("Tender and insolent") (1937) 000
The Catalpa Tree (1951) 000
Unpublished Poems and Drafts; Dated Works 000
Second Act Curtain (1933) 000
Lines Written After Detecting in Myself a Yearning toward the Large, Wise, Calm, Richly
Resigned, Benignant Act Put On by a Great Many People After Having Passed the Age of Thirty-
five (1934) 000
The Lie (1935) 000
Lines Written on Coming To Late in the Afternoon (1935) 000
"I put the supposed" (1935) 000
"We might have striven years" (1935) 000
Four Quarters (1936) 000
"You labor long to fit the pearl" (1936) 000
Entrance, with Harp and Fiddles (1936/37) 000
Poem at Forty (1937) 000
Mozart [translation] (1939) 000
Portrait of the Artist as a Young Woman (1940) 000
Leechdoms (1961) 000
The Castle of My Heart: A Rondel [translation] (1966) 000
December Daybreak (1967) 000
Unpublished Poems and Drafts; Undated Works 000
Fortune-Teller's Pack 000
Fantasy 000
"In what still rays" 000
Beginning of an Unpopular Song 000
Letter to Mrs. Q's Sister 000
Three Sonnets in Autumn 000
Love Severally Rhymed 000
"O come again, distilled" 000
When at last 000
Name Index 000
Title Index 000
Ohio University Press, 2005 Paper: 978-0-8040-1071-9 Cloth: 978-0-8040-1070-2
Although best known as a master of the formal lyric poem, Louise Bogan (1897–1970) also published fiction and what would now be called lyrical essays. A Poet’s Prose: Selected Writings of Louise Bogan showcases her devotion to compression, eloquence, and sharp truths.
Louise Bogan was poetry reviewer for the New Yorker for thirty-eight years, and her criticism was remarkable for its range and effect. Bogan was responsible for the revival of interest in Henry James and was one of the first American critics to notice and review W. H. Auden. She remained intellectually and emotionally responsive to writers as different from one another as Caitlin Thomas, Dorothy Richardson, W. B. Yeats, André Gide, and Rainer Maria Rilke.
Bogan’s short stories appeared regularly in magazines during the 1930s, penetrating the social habits of the city as well as the loneliness there. The autobiographical element in her fiction and journals, never entirely confessional, spurred some of her finest writing. The distinguished poet and critic Mary Kinzie provides in A Poet’s Prose a selection of Bogan's best criticism, prose meditations, letters, journal entries, autobiographical essays, and published and unpublished fiction.
Louise Bogan won the Bollingen Prize in 1954 for her collected poems. She is the subject of the Pulitzer Prize-winning biography by Elizabeth Frank, Louise Bogan: A Portrait.
AUTHOR BIOGRAPHY
Mary Kinzie is a poet and critic who teaches in the creative writing program she founded at Northwestern University. Her books of poetry include Summers of Vietnam and Autumn Eros. Most recently, her collection Drift was published by Alfred A. Knopf.
REVIEWS
“In whatever she wrote, the line of truth was exactly superimposed on the line of feeling. One look at her work—or sometimes one look at her—made any number of disheartened artists take heart and go on being the kind of dedicated creatures they were intended to be.”—The New Yorker
“I am deeply grateful for this collection of Louise Bogan’s prose. She is an American lyric master, both in prose and poetry, a critic of singular distinction and acuity. She has not been given her due, and this collection will go far to redressing the balance.”—Mary Gordon
“This master lyric poet’s crisp, insightful New Yorker pieces on poetry hold up superbly to the passing of time and fashions. But beyond those brilliant reviews, here are unexpected treasures: Bogan’s fiction, letters and journal entries disclose in new ways a literary mind of distinction, wit and depth. In the unpublished poems too, there are flashes of gold. A treasure-book.”—Robert Pinsky
TABLE OF CONTENTS
Contents
Sources and Acknowledgments 000
Editor's Note 000
Abbreviations 000
Louise Bogan in Her Prose, by Mary Kinzie 000
I. Fiction 1
Keramik (1927) 000
Winter Morning (1928) 000
Art Embroidery (1928) 000
Soliloquy (1928) 000
Hydrotherapy (1931) 000
Sabbatical Summer (1931) 000
When It Is Over (1931) 000
Zest (1931) 000
Journey Around My Room (1933) 000
The Short Life of Emily (1933) 000
The Last Tear (1933) 000
Conversation Piece (1933) 000
Coming Out (1933) 000
Dove and Serpent (1933) 000
Letdown (1934) 000
Not Love, but Ardor (1934) 000
Saturday Night Minimum (1935) 000
To Take Leave (1935) 000
Whatever It Is (1936) 000
II. Journals and Memoir 000
On the Bogans 000
Self-Portrait, with Politics 000
Unsent Questionnaire 000
Self-Questionnaire 000
The Sudden Marigolds 000
The Gardner Family 000
Mary Shields Bogan 000
Childhood in Boston 000
The Repressed Narrative 000
The Aperçu 000
Managing the Unconscious 000
Thumbnails 000
Out of All Moments Forever 000
The Time of Day 000
How Can I Break These Mornings? 000
Final Questionnaire 000
III. Letters 000
IV. Criticism 000
Colette (1930) 000
W. B. Yeats (1934, 1936, 1938, 1939, 1940, 1951) 000
W. H. Auden (1934, 1935, 1937, 1938, 1941, 1944, 1945, 1947, 1951, 1955, 1957, 1960) 000
Henry James (1936, 1944, 1945) 000
T. S. Eliot (1936, 1939, 1943) 000
Federico García Lorca (1937, 1940) 000
Elizabeth Bowen (1939) 000
James Joyce (1939, 1944) 000
Ezra Pound (1940, 1948, 1956) 000
Gustave Flaubert (1942) 000
Folk Art (1943) 000
Isak Dinesen (1943) 000
Detective Novels (1944) 000
André Gide (1944, 1947, 1948) 000
Robert Lowell (1946, 1959, 1965, 1967) 000
Charles Baudelaire (1947) 000
The Heart and the Lyre (1947) 000
Marianne Moore (1948) 000
Johann Wolfgang von Goethe (1949) 000
Wallace Stevens (1950, 1954) 000
Ivy Compton-Burnett (1951) 000
Caitlin Thomas (1957) 000
Juan Ramón Jiménez (1958) 000
Philip Larkin (1958, 1965) 000
Dorothy Richardson (1967) 000
Poetry Appendix 000
Uncollected Poems 000
A Night in Summer (1911) 000
The Betrothal of King Cophetua (1915) 000
The Young Wife (1917) 000
Survival (1921) 000
Elders (1922) 000
Resolve (1922) 000
Leave-Taking (1922) 000
To a Dead Lover (1922) 000
Decoration (1923) 000
A Letter (1923) 000
Words for Departure (1923) 000
Epitaph for a Romantic Woman (1923) 000
Song ("Love me because I am lost") (1923) 000
Pyrotechnics (1923) 000
The Stones (1923) 000
Trio (1923) 000
The Flume (1929) 000
Old Divinity (1929) 000
For an Old Dance (1930) 000
The Engine (1931) 000
Gift (1932) 000
Hidden (1936) 000
New Moon (1937) 000
Untitled ("Tender and insolent") (1937) 000
The Catalpa Tree (1951) 000
Unpublished Poems and Drafts; Dated Works 000
Second Act Curtain (1933) 000
Lines Written After Detecting in Myself a Yearning toward the Large, Wise, Calm, Richly
Resigned, Benignant Act Put On by a Great Many People After Having Passed the Age of Thirty-
five (1934) 000
The Lie (1935) 000
Lines Written on Coming To Late in the Afternoon (1935) 000
"I put the supposed" (1935) 000
"We might have striven years" (1935) 000
Four Quarters (1936) 000
"You labor long to fit the pearl" (1936) 000
Entrance, with Harp and Fiddles (1936/37) 000
Poem at Forty (1937) 000
Mozart [translation] (1939) 000
Portrait of the Artist as a Young Woman (1940) 000
Leechdoms (1961) 000
The Castle of My Heart: A Rondel [translation] (1966) 000
December Daybreak (1967) 000
Unpublished Poems and Drafts; Undated Works 000
Fortune-Teller's Pack 000
Fantasy 000
"In what still rays" 000
Beginning of an Unpopular Song 000
Letter to Mrs. Q's Sister 000
Three Sonnets in Autumn 000
Love Severally Rhymed 000
"O come again, distilled" 000
When at last 000
Name Index 000
Title Index 000
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC