Author Barry B. Witham reclaims the work of Manny Fried, an essential American playwright so thoroughly blacklisted after he defied the House Committee on Un-American Activities in 1954, and again in 1964, that his work all but completely disappeared from the canon. Witham details Manny Fried’s work inside and outside the theatre and examines his three major labor plays and the political climate that both nurtured and disparaged their productions. Drawing on never-before-published interview materials, Witham reveals the details of how the United States government worked to ruin Fried’s career.
 
From Red-Baiting to Blacklisting includes the complete text of Fried’s major labor plays, all long out of print. In Elegy for Stanley Gorski, Fried depicts one of the many red-baiting campaigns that threatened countless unions in the wake of the Taft-Hartley Act and the collusion of the Catholic Church with these activities. In Drop Hammer, Fried tackles the issues of union dues, misappropriation, and potential criminal activities. In the third play, The Dodo Bird, perhaps his most popular, Fried achieves a remarkable character study of a man outsourced from his job by technology and plant closures.
 
Manny Fried’s plays portray the hard edges of capitalism and government power and illuminate present-day struggles with hostility to labor unions and the passage in several states of right-to-work laws. Fried had no illusions about the government’s determination to destroy communism and unionism—causes to which he was deeply committed.  
 

Barry Witham, a professor emeritus of theatre history at the University of Washington, is the editor of Theatre in the United States: A Documentary History and the author of The Federal Theatre Project: A Case Study and A Sustainable Theatre: Jasper Deeter at Hedgerow.
 

"Direct quotes from surveillance reports on Fried give the book an amazing sense of authenticity, matched only by the candid shop talk of the playwright’s fictional characters.  This study of an undaunted, feisty Cold War figure is thus honest and revealing."—Robert D. Parmet, New York Labor History Association

“Fried’s odyssey through the postwar American political, business, and theatrical landscape provides a vision of the era unlike any other. Courageous and talented, Fried lived a life that will inspire renewed interest in this remarkable time thanks to Witham’s impressive scholarship and bracing writing.”—James Fisher, author of the Historical Dictionary of American Theater: Beginnings
 
“Witham has done a masterful job providing an introduction to Manny Fried’s contributions as a blacklisted labor organizer and playwright, and explains how the three plays enclosed illuminate those battles in realistic, compassionate, and highly stage-worthy terms. This is a timely and informative book.”—Stuart J. Hecht, author of Transposing Broadway: Jews, Assimilation and the American Musical
 
“Witham's thoughtful study illuminates the achievements of a man who refused to stop fighting on behalf of American workers, who called out racial, ethnic, and gender bias and abuses of government authority.”—Heather Nathans, author of Hideous Characters and Beautiful Pagans: Performing Jewish Identity on the Antebellum American Stage
 
“Witham offers both a moving account of Fried’s life and compelling analysis of his plays.”—Jonathan Chambers, author of Messiah of the New Technique: John Howard Lawson, Communism, and American Theatre., 1923–1937— -