INTRODUCTION: SCROUNGING IN THE SOVIET GARBAGE PIT 1A New Paradigm 2Recycling Toxic Heroes 5CHAPTER 1: WRITING A PRECARIOUS BALANCE 11Organizing the Human Psyche 13Superfluous Men in Utopia: Aleksandr Bogdanov’s
Red Star (1908) 15An Impossible Equilibrium: Evgeny Zamyatin’s
We (1920) 27Dystopian Fear 38CHAPTER 2: HE DOES NOT LOVE US WHEN WE ARE DIRTY 40Hygienic Satire 42"Bad Words Are Not Allowed": Mikhail Bulgakov’s
Heart of a Dog (1925) 43 Monstrous Words 53Unmasking Satire: Vladimir Mayakovsky’s
Bedbug (1929) 55The Death of Satire? 65CHAPTER 3: THINGS THAT SHOULD NOT BE FOUND 68Hygienic Narration 70Unreliable Narrators: Yury Olesha’s
Envy (1927) 73The Non-toxic Writer 85Remapping the Alien Imagination: Lev Kassil’s
Shvambraniia (1932) 88An Image Can Kill 106CHAPTER 4: LOST IN TRANSLATION 110Constructing a New Voice 113Translating the Villainous Voice: Fedor Gladkov’s
Cement (1925) 115Party-mindedness & the Socialist-realist Text 126Rewriting the Writer: Valentin Kataev’s
Time Forward (1932) 129The Writer as Telegraph Operator 142 CONCLUSION: WRITERS FORWARD! 146Really Real Men, or Apologies for the Elephant 148NOTES 151
BIBLIOGRAPHY 187