"This is an ambitious and erudite work that I find very original, and also very unusual in an inviting sense. It crosses the fields of postcolonial theory, South Asian studies, German studies, and aesthetic theory, and the explosive potential of some of its propositions (on neo-epic form, for instance) are what make it so inviting. I would recommend this book because of its originality, and what it uniquely offers to scholars in these fields." —Timothy Brennan, author of Borrowed Light, Vol. I: Vico, Hegel and the Colonies
"G. S. Sahota’s book is a brilliant intervention in the literary and cultural history of modern South Asia, with some forays into aspects of the Japanese Romantic school and modern Chinese visual culture. Its focus on the neo-epic in India in the modern period is a welcome corrective to the privileging of the novel in discussions of modern Indian literary culture . . . essential reading for advanced students of both modern Indian literature and world literature." —Javed Majeed, Journal of Urdu Studies
“. . . the book is remarkably original and ambitious, and promises sustained relevance across the fields of Romanticism, World Literature, South Asian Studies, Postcolonial Studies, and Aesthetic Theory.” —Suvendu Ghatak, Journal of Comparative Literature and Aesthetics