“More than anyone, Shannon Jackson has helped us grapple with the gestures, trajectories, and vibrant interanimations among visual, mediatic, theatrical, and performance-based arts. Across decades of commitment, her work has invited us into sumptuous critical entanglements where arts' histories meet performance studies, where arts work is social work and social work performs. Now, Back Stages offers a vital collection of Jackson's influential essays curated to show the arc of her oeuvre and including some new work as well. The book will be an essential reader for all of us who meet at the crossroads of arts disciplines or gather where making meets thinking meets making again.” —Rebecca Schneider, author of Performing Remains: Art and War in Times of Theatrical Reenactment
“Over the last two decades, Shannon Jackson has played a leading role in bridging disciplines within the visual and the performing arts through a range of methodologies, helping develop critical language to best understand the social and political aims of performance-based work. This anthology is a must-read—a key reference for anyone involved in performance studies or socially engaged art.” —Pablo Helguera, author of Education for Socially Engaged Art: A Materials and Techniques Handbook— -
“Shannon Jackson is the great participant-observer of performance. These essays, written over twenty years, are vibrant with insights, observations, and reflections. Reading them allows us to relive and rethink performance studies at its best. Highly recommended.” —Martin Puchner, author of The Language of Thieves: My Family’s Obsession with a Secret Code the Nazis Tried to Eliminate— -
“This anthology’s breadth of exploration exemplifies Jackson’s depth of knowledge and agility in moving confidently and with compelling insight across a range of performative practices—particularly socially-engaged forms—connecting disciplines and their histories while offering more expansive methods for their interpretation and analysis. Back Stages is an essential contribution to the field.” —Paula Marincola, executive director of The Pew Center for Arts Heritage — -
“Once again, a beautiful book by Shannon Jackson that connects worlds of performance to our social lives in social institutions and the extra-institutional everyday. Jackson shows us through detailed and persuasive readings and commentaries how performance challenged us to rethink the ties that bind us, the primacy of labor and social practices, the requirement for infrastructures that should support bodily life. We learn along the way how ‘performance’ became a scandal for both English departments and theater studies before performance studies showed that it was always inside those fields, operating in language and spatial locations in and beyond the proscenium. A social critic, a theorist of the public good, a shrewd art critic, Jackson also performs the truth of what she says, showing us that ‘demonstrating our claims’ demands a performance, a body enacting what it knows and feels and seeks to communicate through gesture, movement, word, and space. No one who reads this book will be able to dismiss ‘mere performance’ as if it were fluff, because Jackson shows us it is the moving substance of life itself.” —Judith Butler, author of The Force of Nonviolence: An Ethico-Political Bind
“More than anyone, Shannon Jackson has helped us grapple with the gestures, trajectories, and vibrant interanimations among visual, mediatic, theatrical, and performance-based arts. Across decades of commitment, her work has invited us into sumptuous critical entanglements where arts' histories meet performance studies, where arts work is social work and social work performs. Now, Back Stages offers a vital collection of Jackson's influential essays curated to show the arc of her oeuvre and including some new work as well. The book will be an essential reader for all of us who meet at the crossroads of arts disciplines or gather where making meets thinking meets making again.” —Rebecca Schneider, author of Performing Remains: Art and War in Times of Theatrical Reenactment
“Over the last two decades, Shannon Jackson has played a leading role in bridging disciplines within the visual and the performing arts through a range of methodologies, helping develop critical language to best understand the social and political aims of performance-based work. This anthology is a must-read—a key reference for anyone involved in performance studies or socially engaged art.” —Pablo Helguera, author of Education for Socially Engaged Art: A Materials and Techniques Handbook— -