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Key Texts in American Jewish Culture
edited by Jack Kugelmass
Rutgers University Press, 2003
Paper: 978-0-8135-3221-9 | eISBN: 978-0-8135-6704-4 | Cloth: 978-0-8135-3220-2
Library of Congress Classification E184.35.K49 2003
Dewey Decimal Classification 305.8924073

ABOUT THIS BOOK | AUTHOR BIOGRAPHY | TOC
ABOUT THIS BOOK
Key Texts in American Jewish Culture expands the frame of reference used by students of culture and history both by widening the "canon" of Jewish texts and by providing a way to extrapolate new meanings from well-known sources.

Contributors come from a variety of disciplines, including American studies, anthropology, comparative literature, history, music, religious studies, and women's studies. Each provides an analysis of a specific text in art, music, television, literature, homily, liturgy, or history. Some of the works discussed, such as Philip Roth's novel Counterlife, the musical Fiddler on the Roof, and Irving Howe's World of Our Fathers, are already widely acknowledged components of the American Jewish studies canon. Others-such as Bridget Loves Bernie, infamous for the hostile reception it received among American Jews+ may be considered "key texts" because of the controversy they provoked. Still others, such as Joshua Liebman's Piece of Mind and the radio and TV sitcom The Goldbergs, demonstrate the extent to which American Jewish culture and mainstream American culture intermingle with and borrow from each other.

See other books on: American Jewish Culture | Jewish influences | Jewish Studies | Jews | Kugelmass, Jack
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