In Courtly and Queer, Charlie Samuelson casts queerness in medieval French texts about courtly love in a new light by bringing together for the first time two exemplary genres: high medieval verse romance, associated with the towering figure of Chrétien de Troyes, and late medieval dits, primarily associated with Guillaume de Machaut. In close readings informed by deconstruction and queer theory, Samuelson argues that the genres’ juxtaposition opens up radical new perspectives on the deviant poetics and gender and sexual politics of both. Contrary to a critical tradition that locates the queer Middle Ages at the margins of these courtly genres, Courtly and Queer emphasizes an unflagging queerness that is inseparable from poetic indeterminacy and that inhabits the core of a literary tradition usually assumed to be conservative and patriarchal. Ultimately, Courtly and Queer contends that one facet of texts commonly referred to as their “courtliness”—namely, their literary sophistication—powerfully overlaps with modern conceptions of queerness.

Charlie Samuelson is an Assistant Professor of French at the University of Colorado–Boulder.

Acknowledgments

Introduction    Verse Romances and Dits, Poetic and Sexual Indeterminacy

Chapter 1        Reflexive, Ambivalent, Queer Subjects

Chapter 2        Medieval Metalepsis: Queering Narrative Poetics

Chapter 3        On Sameness, Difference, and Textualizing Desire: Queering Lyric Insertion

Chapter 4        Queer Irony in Chrétien de Troyes and Guillaume de Machaut

Coda    Slashes

Bibliography

Index