ABOUT THIS BOOK

Honorable Mention, 2025 PCA Emily Toth Award For Best Single Work In Women’s Studies
Finalist, 2025 Mystery Writers of America's Edgar Awards, Best Critical/Biographical Category
Finalist, Bouchercon New Orleans 2025 Anthony Awards, Best Critical/Non-Fiction
Nominated for the 2025 Macavity Awards, Best Mystery-related Nonfiction/Critical

Ashley Lawson’s On Edge presents a new picture of postwar American literature, arguing that biases against genre fiction have unfairly disadvantaged the legacies of authors like Shirley Jackson, Patricia Highsmith, and Leigh Brackett. Each of these women navigated a male-dominated postwar publishing world without compromising their values. Their category-defying treatment of gender roles and genre classifications created suspense in their work that spoke to the tensions of the “Age of Anxiety.” Lawson engages with foundational voices in American literature, genre theory, and feminism to argue that, by merging the dominant mode of literary realism with fantastical or heightened elements, Brackett, Jackson, and Highsmith responded to the big questions of their era with startling and unnerving answers. By elevating genre play to a marker of literary skill, Lawson contends, we can secure these writers a more prominent place within the canon of midcentury American literature and open the door for the recovery of their similarly innovative peers.

AUTHOR BIOGRAPHY

Ashley Lawson is Associate Professor of English at West Virginia Wesleyan College. Her research centers on twentieth-century American literature and women’s creativity. She has published essays on Zelda Fitzgerald, Dawn Powell, Shirley Jackson, Sara Haardt, and Estelle Faulkner. In addition to these specialties, her teaching interests include Iranian and Japanese women writers, femmes fatales, and the American gothic.

REVIEWS

“On Edge is exactly what scholarship should be. Lawson convincingly unpacks the biases of gender and genre at midcentury and proves that Jackson, Highsmith, and Brackett experimented with, and at times subversively transformed, popular genres. She reveals to readers the undercurrent of feminist concerns in genres more often remembered for the stifling of such concerns.” —Margaret Reid, author of Cultural Secrets as Narrative Form: Storytelling in Nineteenth-Century America

“Lawson compellingly reassesses the importance of ‘low’ literary forms such as woman-authored gothic, suspense, and science fiction, arguing for gender as its own meaningful genre and illustrating the ways that these authors answered serious intellectual questions—and leave a memorable literary legacy.” —Jacqueline Foertsch, author of Freedom’s Ring: Literatures of Liberation from Civil Rights to the Second Wave

“Lawson is unique for exploring commonalities among three postwar American women typically separated by genre....Lawson’s book is particularly valuable for treating Brackett at length, not only her sci-fi subgenres but also the crime fiction that strengthens her ties with Jackson and Highsmith. Summing Up: Recommended. Advanced undergraduates through faculty.” —J. W. Hall, CHOICE

TABLE OF CONTENTS

Acknowledgments
Introduction
Chapter 1 Gender and Genre: Breaking Boundaries
Chapter 2 Brackett’s Genre-Perfect/Genre-Bending Crime Fiction
Chapter 3 Conflicted Perspectives in Jackson’s and Highsmith’s Crime Fiction
Chapter 4 The Alien among Us: Expanding Reality in Speculative Fiction
Chapter 5 Gothic Subjectivity in Jackson and Highsmith
Chapter 6 Dystopian Visions of Community in Pre- and Post-Apocalyptic Fiction
Chapter 7 Housebound: Domestic Realism and Women’s Magazines
Afterword
Works Cited
Index