Neurasthenia, rail shock, hysteria. In Narrating Trauma, Gretchen Braun traces the nineteenth-century prehistory of those mental and physical responses that we now classify as post-traumatic stress and explores their influence on the Victorian novel. Engaging dialogues between both present-day and nineteenth-century mental science and literature, Braun examines novels that show the development of the mental dysfunction known as nervous disorder, positing that it was understood not as a failure of reason but instead as an organically based, crippling disjunction between the individual mind and its social context—with sufferers inhabiting spaces between sanity and madness.

Spanning from the early Victorian period to the fin de siècle and encompassing realist, Gothic, sentimental, and sensation fiction, Narrating Trauma studies trauma across works of fiction by Charlotte Brontë, Emily Jolly, Wilkie Collins, George Eliot, Charles Dickens, and Thomas Hardy. In doing so, Braun brings both nineteenth-century science and current theories of trauma to bear on the narrative patterns that develop around mentally disordered women and men feminized by nervous disorder, creating a framework for novelistic critique of modern lifestyles, stressors, and institutions.

Gretchen Braun is Associate Professor in the English department and Women’s, Gender, and Sexuality Studies program at Furman University.

Introduction    Nervous Disorder, Narrative Disorder, and Perspectives from the Margins

Chapter 1        Contemporary Trauma Studies and Nineteenth-Century Nerves

Chapter 2        “Dim as a Wheel Fast Spun”: Repetition and Instability of Memory in Charlotte Brontë’s Villette

Chapter 3        “I Have a Choice”: Emily Jolly Reframes Women’s Agency

Chapter 4        Wilkie Collins and George Eliot Confront Accidents of Modernity

Chapter 5        Charles Dickens, Thomas Hardy, and the “Self-Unmade” Man

Conclusion      Expanding Our Frame

Bibliography

Index