Contents
List of Figures
Acknowledgments
Introduction: Indigeneity and Multicultural Misrecognition
1. Indigeneity and the Dialectic of Recognition at the National Museum of the AmericanIndian
2. Atanarjuat and the Ideological Work of Indigenous Filmmaking
3. Palimpsestic Images: Contemporary American Indian Digital Fine Art and the Ethnographic Photo Archive
4. Of Turtles, Snakes, Bones, and Precious Stones: Jimmie Durham’s Indices of Indigeneity
5. Fictions of the Gruesome Authentic in LeAnne Howe’s Shell Shaker
Conclusion: Unsettling Misrecognition
Notes
Works Cited
Index