“By careful attention to the ceremonial settings and the persistence of the speech-making themes over several generations, the author shows how the status of the orators, the pervasiveness of the rituals, and the repetition of themes for so long created a new white-dominated southern public identity out of the social chaos, uncertainty, and despair at the end of the Civil War in the South.”
—Charles Reagan Wilson, author of Judgment and Grace in Dixie: Southern Faiths from Faulkner to Elvis and Baptized in Blood: The Religion of the Lost Cause, 1868-1920
“Town’s analysis is beneficial and informative as a rhetorical history of Lost Cause rhetoric. . . . [and] encourages scholars to consider how southern rhetorical history and mythology still echoes within state and national discussions today.”
—Rhetoric Public Affairs
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“No southern historian has ever brought such a wealth of source material to bear on a subject. Primary sources dominate the manuscript, in every chapter. The manuscript has a solid core of rhetorical/artifactual sources that, woven carefully together, never waiver from the centrality of Town’s thesis – Lost Cause rhetoric tells the story of the South. No other region of the country can make such a claim.”
—Carl Kell, author of Against the Wind: The Moderate Voice in Baptist Life
“The Lost Cause, like William Faulkner’s past, is not dead—and, according to W. Stuart Towns, it’s not even past. In this deftly reasoned and cogently argued exploration of the rhetoric and ritual associated with the South’s most enduring myth, Towns stresses that 20th-century white Southerners learned most of what they feel about race, the North, the Civil War and Reconstruction, and themselves from Lost Cause rhetoric.”
—Civil War Magazine
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