ABOUT THIS BOOK

Explores pioneering works of digital poetry and demonstrates how technological constraints that would seemingly limit the aesthetics of poetry have instead extended and enriched poetic discourse

For the last five decades, poets have had a vibrant relationship with computers and digital technology. This book is a documentary study and analytic history of digital poetry that highlights its major practitioners and the ways that they have used technology to foster a new aesthetic. Focusing primarily on programs and experiments produced before the emergence of the World Wide Web in the mid-1990s, C. T. Funkhouser analyzes numerous landmark works of digital poetry to illustrate that the foundations of today’s most advanced works are rooted in the rudimentary generative, visual, and interlinked productions of the genre’s prehistoric period.

Since 1959, computers have been used to produce several types of poetic output, including randomly generated writings, graphical works (static, animated, and video formats), and hypertext and hypermedia. Funkhouser demonstrates how hardware, programming, and software have been used to compose a range of new digital poetic forms. Several dozen historical examples, drawn from all of the predominant approaches to digital poetry, are discussed, highlighting the transformational and multi-faceted aspects of poetic composition now available to authors. This account
includes many works, in English and other languages, which have never before been presented in an English-language publication.

In exploring pioneering works of digital poetry, Funkhouser demonstrates how technological constraints that would seemingly limit the aesthetics of poetry have instead extended and enriched poetic discourse. As a history of early digital poetry and a record of an era that has passed, this study aspires both to influence poets working today and to highlight what the future of digital poetry may hold.

AUTHOR BIOGRAPHY

C. T. Funkhouser is Associate Professor of Humanities at the New Jersey Institute of Technology and author of Technopoetry Rising: Essays and Works and Selections 2.0, an eBook.

REVIEWS

“Focusing on examples of digital poetry before the Web rather than on literary precursors to Web experiments, Funkhouser offers an ambitious book that relies on, but also exceeds, the genre-building foundations established by Loss Pequeño Glazier (in Digital Poetics: The Making of E-Poetries, CH, Jul'02, 39-6249) and Brian Kim Stefan (Fashionable Noise on Digital Poetics, 2003). Recommended.”
—CHOICE

“In Prehistoric Digital Poetry: An Archaeology of Forms, Chris Funkhouser provides a comprehensive historical, descriptive, and technical account of early works of computer-assisted poetry composition. This is essential reading for anyone interested in digital poetics, constraint-base writing, or, indeed, the possibilities for new poetry in the 21st century”
—Charles Bernstein, author of Girly Man and editor of Electronic Poetry Center
— -

TABLE OF CONTENTS

Contents
List of Illustrations	000
Preface	000
A Chronology of Works in Digital Poetry, 19591995	000
Introduction: Evolving Circuits of Digital Poetry	000
1. Origination: Text Generation	000
2. Visual and Kinetic Digital Poems	000
3. Hypertext and Hypermedia	000
4. Alternative Arrangements for Digital Poetry	000
5. Techniques Enabled: (Pro)Fusions after Poetry Computerized
	000
Appendix A: Codeworks	000
Appendix B: Holography	000
Acknowledgments	000
Notes	000
Bibliography	000
Index000