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The Making of Saints: Contesting Sacred Ground
edited by James F Hopgood
contributions by Erika Doss, Walter Randolph Adams, Roberto Bosca, James F Hopgood, Yoram Bilu, Irene Stengs, June Macklin, Phyllis Passariello, Gillian E. Newell, William Breen Murray and Carolyn S. Stevens
University of Alabama Press, 2005
Cloth: 978-0-8173-1455-2 | eISBN: 978-0-8173-8088-5 | Paper: 978-0-8173-5179-3
Library of Congress Classification BL488.M35 2005
Dewey Decimal Classification 306.4

ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
ABOUT THIS BOOK
Celebrities and popular icons are increasingly ubiquitous figures of a 21st century postmodern world. Some, in death, blur age-old distinctions of sanctification and trespass on sacred ground long held exclusively by religious saints. An emerging continuum is transforming that sacred arena and raising a number of important issues, including the nature of the relationships between the worshipped and the worshipful and the types of institutions that sustain them.



The Making of Saints: Contesting Sacred Ground investigates a number of religious leaders, healers, folk saints, and popular icons in seeking to identify their commonalities and discover how they speak to the same inner yearnings of human beings for gods and heroes. Issues of social relations, love, emotion, charisma, power, and sanctification are addressed by the contributors. Analyses of hagiographies, biographies, media, control of space, pilgrimage, and acts of devotion provide the bases for the authors' explorations of these issues. Among the sanctified included for analysis are the folk saints El Nino Fidencio and Teresa Urrea; the charismatic rabbis Baba Sali, Baba Baruch, and Ifargan; King Chulalongkorn of Thailand; two political figures, Evita Peron and Che Guevara; and three celebrities: James Dean, Elvis Presley, and Japanese rock star HIDE.



The contributors challenge notions of what is sacred and who may be sanctified, and argue that a broadening of views is needed to accommodate and appreciate emerging contemporary realities.



 



 


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