cover of book
 

Ambivalent: Photography and Visibility in African History
edited by Patricia Hayes and Gary Minkley
Ohio University Press, 2019
Cloth: 978-0-8214-2393-6 | Paper: 978-0-8214-2394-3 | eISBN: 978-0-8214-4688-1
Library of Congress Classification HM500.A53 2019
Dewey Decimal Classification 302.226

ABOUT THIS BOOK | AUTHOR BIOGRAPHY
ABOUT THIS BOOK

Going beyond photography as an isolated medium to engage larger questions and interlocking forms of expression and historical analysis, Ambivalent gathers a new generation of scholars based on the continent to offer an expansive frame for thinking about questions of photography and visibility in Africa. The volume presents African relationships with photography—and with visibility more generally—in ways that engage and disrupt the easy categories and genres that have characterized the field to date. Contributors pose new questions concerning the instability of the identity photograph in South Africa; ethnographic photographs as potential history; humanitarian discourse from the perspective of photographic survivors of atrocity photojournalism; the nuanced passage from studio to screen in postcolonial digital portraiture; and the burgeoning visual activism in West Africa.


As the contributors show, photography is itself a historical subject: it involves arrangement, financing, posture, positioning, and other kinds of work that are otherwise invisible. By moving us outside the frame of the photograph itself, by refusing to accept the photograph as the last word, this book makes photography an engaging and important subject of historical investigation. Ambivalent‘s contributors bring photography into conversation with orality, travel writing, ritual, psychoanalysis, and politics, with new approaches to questions of race, time, and postcolonial and decolonial histories.


Contributors: George Emeka Agbo, Isabelle de Rezende, Jung Ran Forte, Ingrid Masondo, Phindi Mnyaka, Okechukwu Nwafor, Vilho Shigwedha, Napandulwe Shiweda, Drew Thompson



See other books on: African History | Criticism & Theory | Minkley, Gary | Visibility | Visual sociology
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