cover of book
 

Lesbian Rule: Cultural Criticism and the Value of Desire
by Amy Villarejo
series edited by Inderpal Grewal, Caren Kaplan and Robyn Wiegman
Duke University Press, 2003
Cloth: 978-0-8223-3155-1 | eISBN: 978-0-8223-8535-6 | Paper: 978-0-8223-3192-6
Library of Congress Classification HQ75.5.V55 2003
Dewey Decimal Classification 306.766301

ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
With hair slicked back and shirt collar framing her young patrician face, Katherine Hepburn's image in the 1935 film Sylvia Scarlett was seen by many as a lesbian representation. Yet, Amy Villarejo argues, there is no final ground upon which to explain why that image of Hepburn signifies lesbian or why such a cross-dressing Hollywood fantasy edges into collective consciousness as a lesbian narrative. Investigating what allows viewers to perceive an image or narrative as "lesbian," Villarejo presents a theoretical exploration of lesbian visibility. Focusing on images of lesbians in film, she analyzes what these representations contain and their limits. She combines Marxist theories of value with poststructuralist insights to argue that lesbian visibility operates simultaneously as an achievement and a ruse, a possibility for building a new visual politics and away of rendering static and contained what lesbian might mean.
Integrating cinema studies, queer and feminist theory, and cultural studies, Villarejo illuminates the contexts within which the lesbian is rendered visible. Toward that end, she analyzes key portrayals of lesbians in public culture, particularly in documentary film. She considers a range of films—from documentaries about Cuba and lesbian pulp fiction to Exile Shanghai and The Brandon Teena Story—and, in doing so, brings to light a nuanced economy of value and desire.

See other books on: Desire | Lesbian Studies | Lesbians | Queer theory | Value
See other titles from Duke University Press

Reference metadata exposed for Zotero via unAPI.