Contents
Acknowledgments
Introduction
Part I. Colonial Concepts for Modern Mestizos
Chapter One. History, Photography, and the Invention of Mexican Architecture
Chapter Two. Representation and Reform at the Ministry of Health
Chapter Three. Fit and Trim: Pictorial Histories at the Venustiano Carranza Recreation and Athletic Center for Workers
Part II. Images, Absence, and Otherness
Chapter Four. Composition and Conflict: Juan O'Gorman as Painter-Architect
Chapter Five. Landscape and Subjectivity at the Ciudad Universitaria
Chapter Six. Alone in History: Luis Barragán's "Mexican" House
Conclusion
Notes
Bibliography
Illustration Credits
Index