The Show and the Gaze of Theatre: A European Perspective
by Erika Fischer-Lichte
University of Iowa Press, 1997
Paper: 978-0-87745-608-7 | eISBN: 978-1-58729-063-3
Library of Congress Classification PN2039.F57 1997
Dewey Decimal Classification 792.01

ABOUT THIS BOOK | TOC
ABOUT THIS BOOK

Theatre, in some respects, resembles a market. Stories, rituals, ideas, perceptive modes, conversations, rules, techniques, behavior patterns, actions, language, and objects constantly circulate back and forth between theatre and the other cultural institutions that make up everyday life in the twentieth century. These exchanges, which challenge the established concept of theatre in a way that demands to be understood, form the core of Erika Fischer-Lichte's dynamic book.


Each eclectic essay investigates the boundaries that separate theatre from other cultural domains. Every encounter between theatre and other art forms and institutions renegotiates and redefines these boundaries as part of an ongoing process. Drawing on a wealth of fascinating examples, both historical and contemporary, Fischer-Lichte reveals new perspectives in theatre research from quite a number of different approaches. Energetically and excitingly, she theorizes history, theorizes and historicizes performance analysis, and historicizes theory.



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