cover of book
 

Hip-Hop in Africa: Prophets of the City and Dustyfoot Philosophers
by Msia Kibona Clark
Ohio University Press, 2001
Paper: 978-0-89680-319-0 | eISBN: 978-0-89680-502-6 | Cloth: 978-0-89680-318-3
Library of Congress Classification ML3918.R37C58 2018
Dewey Decimal Classification 782.421649096

ABOUT THIS BOOK | AUTHOR BIOGRAPHY | TOC
ABOUT THIS BOOK

Throughout Africa, artists use hip-hop both to describe their lives and to create shared spaces for uncensored social commentary, feminist challenges to patriarchy, and resistance against state institutions, while at the same time engaging with the global hip-hop community. In Hip-Hop in Africa, Msia Kibona Clark examines some of Africa’s biggest hip-hop scenes and shows how hip-hop helps us understand specifically African narratives of social, political, and economic realities.

Clark looks at the use of hip-hop in protest, both as a means of articulating social problems and as a tool for mobilizing listeners around those problems. She also details the spread of hip-hop culture in Africa following its emergence in the United States, assessing the impact of urbanization and demographics on the spread of hip-hop culture.

Hip-Hop in Africa is a tribute to a genre and its artists as well as a timely examination that pushes the study of music and diaspora in critical new directions. Accessibly written by one of the foremost experts on African hip-hop, this book will easily find its place in the classroom.


See other books on: City | Hip-hop | Prophets | Rap & Hip Hop | Rap (Music)
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