ABOUT THIS BOOK

The photographic portrait is discussed in a wide context, from general subjects such as the family photograph album and American portrait photography to the work of individual artists like Sander and Stieglitz.

AUTHOR BIOGRAPHY

At the time of editing this book Graham Clarke was Senior Lecturer at the University of Kent at Canterbury.

TABLE OF CONTENTS

Contents

Photographic Acknowledgements

Notes on the Editor and Contributors

Introduction

Clarke, Graham

1
Nadar and the Photographic Portrait in Nineteenth-Century France

Cardinal, Roger

2
Erased Physiognomy: Théodore Géricault, Paul Strand and Garry Winogrand

Bann, Stephen

3
Julia Margaret Cameron: A Triumph over Criticism

Roberts, Pam

4
Public Faces, Private Lives: August Sander and the Social Typology of the Portrait Photograph

Clarke, Graham

5
Duchamp's Masquerades

Ades, Dawn

6
J. P. Morgan's Nose: Photographer and Subject in American Portrait Photography

Homberger, Eric

7
Hoppé's Impure Portraits: Contextualising the American Types

Gidley, Mick

8
Images of D. H. Lawrence: On the Use of Photographs in Biography

Ellis, David

9
Likeness as Identity: Reflections on the Daguerrean Mystique

Trachtenberg, Alan

10
The Family Photograph Album: So Great a Cloud of Witnesses

Stokes, Philip

References

Select Bibliography

Index

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