Cover
Contents
Illustrations
Acknowledgments
Introduction
1. Socialist Feminism and Socialist Culture Reconsidered: Institutionalized Practice, Proletarian Public Space, and Experimental Mainstream Cinema
2. Articulating Embedded Feminist Agency in Socialist Mainstream Cinema: Wang Ping and The Story of Liubao Village (1957)
3. Socialist Experimentalism, Critical Revision, and Gender Difference: Dong Kena’s Small Grass Grows on the Kunlun Mountains (1962)
4. Feminist Practice after Mao: Independence, Sexual Difference, and the Universal Model
5. Film Theory, Avant-Gardism, and the Rise of Masculine Aesthetics: Chinese Mainstream Cinema in the 1980s
6. Alternative Experimental Cinema: Zhang Nuanxin’s Socially Committed Mainstream Film Practice of the 1980s
7. The Black Velvet Aesthetic: Universal Cultural Feminism and Chinese Neotraditionalism in Huang Shuqin’s Woman Demon Human (1987)
Notes
Bibliography
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