“Amanda Ann Klein's extended interviews with both participants and producers of MTV programming as well as her inspired and enjoyable writing make this book an important, compelling, and lively contribution to the study of media and culture.”
-- Brenda R. Weber, author of Latter-day Screens: Gender, Sexuality, and Mediated Mormonism
“Amanda Ann Klein's engaging book analyzes a specific phenomenon: MTV's twenty-first-century reality television programming. But her detailed and thoughtful account reveals so much about the history of a transformative television genre, the evolution of an iconic cable channel, and the construction of identity for an entire generation, making it essential reading to understand contemporary American media and culture.”
-- Jason Mittell, author of Television and American Culture
"My mother used to tell me that Jersey Shore would rot my brain; with Millennials Killed the Video Star, Amanda Ann Klein would seem to agree. In this release, the East Carolina University film professor helps make sense of the noise, walking readers through MTV’s evolution from music videos to scripted reality TV—maximizing stereotypes about race, gender, and class along the way, and shaping how an entire generation would come to understand identity."
-- Emma Kenfield IndyWeek
“[Millennials Killed the Video Star] is a fascinating analysis of media construction and presentation of identities, and how audiences respond to or reject those identities.... Klein’s writing is thoughtful and crisp.... Her writing blends an academic perspective and a fan perspective to produce a thoroughly entertaining analysis.”
-- Fiona McQuarrie PopMatters
"Recommended. Lower-division undergraduates through faculty; professionals."
-- C. A. Nadon Choice
“Through her insightful and engaging writing, Klein successfully weaves together industry studies, media and cultural analysis, interviews, and an entertaining retelling of her own personal encounter with Jersey Shore’s DJ Pauly D. The author successfully crafts a book that would appeal to multiple audiences across disciplines.”
-- Abshi Iftin Journal of Popular Culture