Contents
Foreword / Andrew Welsh
Lucid Interval as Integral Music
The Form
Picking Up the Tune, the Universe and Planets
This Week's Concerts
I. Because the final,
II. Songs without words,
III. The rice care,
IV. The park geese,
V. A sudden smoothness like a glass,
VI.There are no stars in,
VII. With the dead rest,
VIII. The cobra standing,
IX. We can run out of our side,
X. Blood: someone says it's not,
XI. The fast storm sky wiped so suddenly,
XII. The walls become whole,
XIII. The builders baled chambers,
XIV. I pull a curtain of the great cats,
XV. The Local/Elevations,
XVI. No, 26
XVII. A carnival of bald deer,
XVIII. The rule of the spirits guesses,
XIX. The fireworks mariner,
XX. You have to run forward,
XXI. Their body holding,
XXII. I walk nights,
XVIII. Sometime I'm going to have to,
XVIV. As a boy there were no black boy,
XXV. And now here I was in the amazon,
XXVI. it is a flash flood,
XXVII. Huge Spaces Apart We Still Look Each Other Face to Face (Santa Barbara),
XXVIII. When I saw it I thought I was hundreds,
XXIX. The variations on God,
At Any of the Bethabaras: Metempsychosis,
XXX. Red Shift,
XXXI. Influence it,
XXXII. We had seen a first,
XXIII. Information,
XXXIV. One of the things we were,
XXXV. Something stretched out on balance,
Seizure by Simple Error
XXXVI. It is without example,
XXXVII. The notebooks are where the foot,
XXXVIII. In this song the people are singing,
XXXIX. A T-square regular,
XL. I Have Opened Six of Ti's Nine Knots,
XLI. The puzzle in bundles,
XLII. There is a cleft brain talking diamond,
XLIII. Simbi Petro Darnballah La Flambeau,
XLIV. The Seven Deltas of Shango's Wives,
XLV. Where day sun's long pile,
Interval and Final Day's Concerts
Interval
I. 12.b.obs.OED,
II. Isolating the Nurturent Reflex to Sound,
III. Knowing the music,
IV. Labyrinth is a real route,
V. Photograph: The House of the Poet,
VI. . . . Apart from What Each Other Is . . .
VII. The fairy tales were over and had grown
VIII. They say when,
IX. Ours is a foolish fire,
Whose sleeves
X. That everything can go,
The Aerialist Narratives
Chapter One
I. Aerialist Narrative,
II. Taking the Print,
III. Heading: The Landing,
IV. Waterfowl Landing: It Lifts to Close,
V. Properties,
VI. Cape Journal: At Sand Pile,
VII. African Ascendancy,
VIII. Research at the Interstice,
IX. The Motorcycle Crossing,
X. The Comb,
XI. Given Way,
Chapter Two
I. Mblemati.txt,
II. Stepping through I,
III. Heron Riddle Flashback,
IV. The skipping stone stays out of the water,
V. Cinquain de Lune,
VI. What the Return of the Lines Meant,
VII. Chorus at Ohiopyle,
VIII. Gnosis,
IX. The birds put inside,
X. Elegy for a White Cock, Chorus at Ohiopyle,
XI. Onze
Chapter Three
I. A widow suckling,
II. Bomb,
III. On the Line,
IV. There were these,
V. And O,
VI. Handed the Rain,
VII. The flock of black cormorants flying,
VIII. Ask for "How High the Moon,"
IX. After the De-Tonations on the Moon by NASA,
X. Ha,
xi. In Light of Dream,