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Desert Gothic
University of Iowa Press, 2007 eISBN: 978-1-58729-775-5 | Paper: 978-1-58729-624-6 Library of Congress Classification PS3623.A8688D47 2007 Dewey Decimal Classification 813.6
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
This powerful debut collection, set in the light-filled deserts of Nevada and Arizona, introduces a darkly inventive new voice. Like an early Richard Ford, Don Waters writes with skill, empathy, and an edgy wit of worlds not often celebrated in contemporary literature. In Desert Gothic, Waters unleashes a wild and gritty cast and points them down paths of reckoning, where the characters earn the grace of their hard-won wisdom. Set in bars, mortuaries, nursing homes, truck stops, and the “poverty motels that encircled downtown’s casino corridor,” Waters’s ten stories are full of misfit transients like Julian, a crematorium worker who decorates abandoned urns to create a “lush underground island,” and the instant Mormon missionary Eli, a hapless divorcé who “always likes people better when they’re a little broken.” Limo drivers, ultra-marathoners, vagabonds, and a distraught novelist-to-be populate the pages of these gritty stories. See other books on: Fiction | Short Stories (single author) | Waters, Don See other titles from University of Iowa Press |
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Desert Gothic
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
University of Iowa Press, 2007
eISBN: 978-1-58729-775-5
Paper: 978-1-58729-624-6
eISBN: 978-1-58729-775-5
Paper: 978-1-58729-624-6
This powerful debut collection, set in the light-filled deserts of Nevada and Arizona, introduces a darkly inventive new voice. Like an early Richard Ford, Don Waters writes with skill, empathy, and an edgy wit of worlds not often celebrated in contemporary literature. In Desert Gothic, Waters unleashes a wild and gritty cast and points them down paths of reckoning, where the characters earn the grace of their hard-won wisdom.
Set in bars, mortuaries, nursing homes, truck stops, and the “poverty motels that encircled downtown’s casino corridor,” Waters’s ten stories are full of misfit transients like Julian, a crematorium worker who decorates abandoned urns to create a “lush underground island,” and the instant Mormon missionary Eli, a hapless divorcé who “always likes people better when they’re a little broken.” Limo drivers, ultra-marathoners, vagabonds, and a distraught novelist-to-be populate the pages of these gritty stories.
Set in bars, mortuaries, nursing homes, truck stops, and the “poverty motels that encircled downtown’s casino corridor,” Waters’s ten stories are full of misfit transients like Julian, a crematorium worker who decorates abandoned urns to create a “lush underground island,” and the instant Mormon missionary Eli, a hapless divorcé who “always likes people better when they’re a little broken.” Limo drivers, ultra-marathoners, vagabonds, and a distraught novelist-to-be populate the pages of these gritty stories.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
