“Art history meets detective work: what could be more thrilling?”
— ARTnews
“[A] spirited and deeply researched project…. [Benkemoun’s] affection for her subject is infectious. This book gives a satisfying treatment to a woman who has been confined for decades to a Cubist’s limited interpretation.”
— Joumana Khatib, The New York Times
“Deliciously acerbic, dishy, fascinating, intelligent.”
— Lucy Kogler, LitHub
“In Benkemoun’s version of art history we imagine the rooms where painters lived out their adventures, the colors of their fingernails, and the lunch special served at the café on the day Picasso dined with one mistress and met, for the first time, his next. Using a humble phone book as a starting point, Finding Dora Maar is a joyful reminder of the people behind some now-iconic names.”
— Karen Chernick, Hyperallergic
“The marvel here is that a chance encounter with a seemingly insignificant object could yield such a world of personal discovery and excitement—an excitement that Benkemoun, in the best Surrealist, and biographical, tradition, often manages to convey.”
— Mark Polizzotti, Reading in Translation
"It’s marvelous. . . . A unique portrait through snapshots, scenes from parties and iconic cafes, and striking snippets of her poetry and poetry written about her by lovers.”
— What’s Nonfiction
“A compelling blend of memoir, biography and history.”
— Apollo
“An especially and unreservedly recommended addition to personal, professional, community, and academic library Art History collections and supplemental studies reading lists. It should be noted for students, academia, and non-specialist general readers with an interest in the subject that Finding Dora Maar: An Artist, an Address Book, a Life is also readily available in a digital book format.”
— Mary Cowper, Midwest Book Review
“Eschewing chronological or alphabetical order, documenting her own wrong turnings and sudden breakthroughs, Benkemoun crafts a sinuous narrative in which chapters are bridged by chance encounters and association of ideas. . . . Benkemoun uncovers interesting archive material and she sketches a vibrant gallery of portraits.”
— Peter Brooks, Times Literary Supplement
“Fascinating insights. . . . Conveys the excitement of discovery and the drama of Maar’s life.”
— Alexander Adams, The Critic
“Most certainly, Benkamoun’s patient sleuthing of the leads furnished by an otherwise diminutive document convinces the reader that Maar’s universe was complex and stimulating and that art remained for her—and for some time—a means of direct engagement with her world.”
— Eilene Hoft-March, H-France Review
“The adventure lasts long after reading and never feels dull or soon-to-be-forgotten.”
— Patrick James Dunagan, Rain Taxi
“Maar's profile has been on the rise over the past few years, viewed though a new lens via efforts like this biography.”
— CNN Style
“Riveting.”
— Karen Chernick, The Art Newspaper