Cover
Title Page
Copyright Page
Contents Page
Acknowledgments
Introduction
The Allure of Architectural Ornament: Ethnographic Art and the “Shortcomings” of Inka Stonemasonry
Anatomy of a Chronological Hallucination: The Category of Primitive Art and Élie Faure’s L’art médiéval
Ethnology at the Margins of “General Art History”: The Case of Alois Hein
What Happens When Natives Draw? Theodor Koch-Grünberg and the Beginnings of World Art History
Boas and Semper: From the Biology of Images to Primitive Art
Empathy with the Unknown: Reproducing “World Art” after 1900
Fatal Attraction: Carl Einstein’s “Ethnological” Turn
Pathos and Paideuma: Aby Warburg, Leo Frobenius, and the Demons of Culture
Ernst Vatter: A Forgotten Pioneer of Art Ethnology
The Anthropologist as Critic: Claude Lévi-Strauss
René d’Harnoncourt, Twentieth-Century Cultural Broker: Bridging Art History and Anthropology through the Display of Indigenous Art
Outside and Inside Art History: Anthropologists, Art Historians, Curators, and the Recognition of Aboriginal Art
Contributors
Illustration Credits
Index
Back Cover