“Edward Hamlin’s fictional worlds are as compelling as they are varied, and his characters intuit how much we’re all—finally—exiles, from the American couple who find their visit to Erg Chebbi flyblown and faintly absurd in its exoticism but shot through with menace, to the pregnant ecotourism manager transplanted from Belfast to the Brazilian rainforest, to the newly widowed second wife surprised at how much her heart seems to have closed to her children and the world. All of them are suffused with an observational intelligence and a pained compassion that are heartening. This is a beautifully written and politically astute collection.”—Jim Shepard

“Night in Erg Chebbi is a stunner. In these nine dispatches from farflung territories, skies detonate, boots are weapons, and people lie—and also tell the truth. Edward Hamlin observes it all with mellow wisdom, showing us the world as it has always been, but as we have never quite seen it before. A marvelous book about the natural world and the human landscapes of resilience, grief, and love.”— Katherine Hill, author, The Violet Hour

“Edward Hamlin has been listening hard to the opaque rustling of the world. And he is just as adept at describing the crack a skull makes on tile as the ‘quieter, thrushier’ gurgling of a creek after a drought. The stories in Night in Erg Chebbi are sweeping and intimate and awesomely confident of their own effects. They document staggering, cataclysmic changes—forest fire, flash flood, revolution, murder—as well as the slow violence of grief and degenerative disease. In one story, a photographer is losing her eyesight and her art; in another, a boy leashed to his house on ‘a good long lead’ runs away. This is a collection with both depth and breadth, a book dedicated to revealing ‘the universal concealed in the weft of the particular.’ Hamlin spins the globe, jumping nimbly from a treetop lodge on a Brazilian riverbank to the lawn of a governor’s mansion on the eve of an execution to Merzouga, Morocco, ‘gateway to the dune sea of Erg Chebbi.’ No matter how wild or unsettling the events of a story, Hamlin holds the camera steady. As one character says, ‘What mattered lately was to observe with precision rather than to judge for good or ill.’ Each story here is a world in miniature, illuminated by the flashbulb bursts of Hamlin’s luminous, controlled prose.”—Karen Russell, judge, 2015 Iowa Short Fiction Award