Contents
Acknowledgments
Introduction
Part I: Capital
1. Negotiating Nonprofit Theatre
2. Capitalizing on Racial Liberalism in The Great White Hope
Part II : Race
3. Globalizing the Stage from Russia and Eastern Europe to Africa and the Black Diaspora
4. Cultivating Raisin and the Popular Black Musical
Part III : Nation
5. Articulating American Voices
6. Recasting Americans in a Multiracial Oklahoma!
Epilogue
Notes
Bibliography
Index