“While much has been written previously about some of the variety theatre that Granshaw explores, no one has done what she has done. She is introducing a revelatory new voice to the literature, one that expands previous understandings of antebellum theatre and performance and at the same time contributes to contemporary research in the humanities about power and migration.”—Elizabeth Reitz Mullenix, Miami University

“Granshaw’s new book is an imaginative, incisive examination of Irish American mobility in popular theater, showing how popular culture and revolutionary politics shaped each other.”—M. Alison Kibler, author, Censoring Racial Ridicule: Irish, Jewish, and African American Struggles over Race and Representation

“Both timely and relevant, Irish on the Move is an important contribution to theater historiography, but the book will also interest readers seeking to understand the historical roots of nationalist, anti-immigrant, white supremacist discourse in the contemporary United States.”—Amy E. Hughes, author, Spectacles of Reform: Theater and Activism in Nineteenth- Century America

“In Irish on the Move, the journey of the immigrant to claim the right to be here, which is resisted by the dominant culture, results in a kind of dance that changes both the immigrant and the local population. Granshaw’s research is impressive and this book makes an important contribution to Irish American history.”—Tice Miller, author, Entertaining the Nation: American Drama in the Eighteenth and Nineteenth Centuries

“Irish on the Move shows how the acts of stage tramps, variety shows, and even competitive pedestrians shaped the lives and perceptions of America’s mobile and networked Irish, while contributing to America’s distinctive theatre culture.”—Peter P. Reed, author, Rogue Performances: Staging the Underclasses in Early American Theatre Culture