"This is a marvelous collection of superb historical and aesthetic analyses of actual monuments and memorials, and of the vexing, almost always deeply controversial process by which cities, museums, peoples, and nations determine how to remember."—David Blight, author of Race and Reunion: The Civil War in American Memory
"There is, quite simply, no one else who could produce this set of compelling essays."—Edward Linenthal, author of The Unfinished Bombing: Oklahoma City in American Memory
"Young's collection of essays provides an informative and generous portrait of the process of memorialization at a time when—alas—brute force in history has dramatically imposed that form of expression on social conscience."—Berel Lang, Holocaust and Genocide Studies
"The book asks important questions and reflects thoughtfully on how memory moves in stages . . . Perhaps no other thinker crosses over so seamlessly between description of the memorial-choosing process, and theoretical reflection on the work of memory. This book enables literary scholars to visualize behind, as it were, the stages before the monuments take form and catalyze healthy debate and disagreement."—American Literary History
"[T]his book offers vital observations from someone who has labored long and hard in the emotionally fraught field of memorial studies . . . For all his work, as well as his insights here into the process of the evolution of memory as codified in memorials, as well as the selection process itself, James Young deserves not only our accolades but also our sincerest thanks."—Memory Studies Journal
"Those interested in history, current political issues, architecture, or even tourists will find this book thought-provoking. Young's study is also beneficial for those wishing to learn more about the Holocaust and its aftermath, as he dedicates five out of seven chapters to the memorial art informed by and created to remember and articulate the massive loss of livescaused by the genocide."—History News
"Throughout his career, Young has thought deeply about contemporary monuments, and in the Stages of Memory, he presents what amounts to a philosophy of their creation. The author's emphasis on process is both sensible and compassionate, and his inclusive, democratic approach to monument making may be essential in our times."—CAA.Reviews
— -