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From Storefront to Monument: Tracing the Public History of the Black Museum Movement
by Andrea A. Burns and Andrea A. Burns
University of Massachusetts Press, 2013
eISBN: 978-1-61376-278-3 | Paper: 978-1-62534-035-1 | Cloth: 978-1-62534-034-4
Library of Congress Classification E185.53.A1B87 2013
Dewey Decimal Classification 973.0496073

ABOUT THIS BOOK | AUTHOR BIOGRAPHY
ABOUT THIS BOOK
Today well over two hundred museums focusing on African American history and culture can be found throughout the United States and Canada. Many of these institutions trace their roots to the 1960s and 1970s, when the struggle for racial equality inspired a movement within the black community to make the history and culture of African America more "public."

This book tells the story of four of these groundbreaking museums: the DuSable Museum of African American History in Chicago (founded in 1961); the International Afro-American Museum in Detroit (1965); the Anacostia Neighborhood Museum in Washington, D.C. (1967); and the African American Museum of Philadelphia (1976). Andrea A. Burns shows how the founders of these institutions, many of whom had ties to the Black Power movement, sought to provide African Americans with a meaningful alternative to the misrepresentation or utter neglect of black history found in standard textbooks and most public history sites. Through the recovery and interpretation of artifacts, documents, and stories drawn from African American experience, they encouraged the embrace of a distinctly black identity and promoted new methods of interaction between the museum and the local community.

Over time, the black museum movement induced mainstream institutions to integrate African American history and culture into their own exhibits and educational programs. This often controversial process has culminated in the creation of a National Museum of African American History and Culture, now scheduled to open in the nation's capital in 2015.

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