In Photography and Anthropology, Christopher Pinney presents a provocative and readable account of the strikingly parallel histories of the two disciplines, as well as a polemical narrative and overview of the use of photography by anthropologists from the 1840s to the present. Walter Benjamin suggested that photography “make[s] the difference between technology and magic visible as a thoroughly historical variable,” and Pinney here explores photography as a divinatory practice that prompted anthropologists to capture the “primitive” lives of those they studied.

Early anthropology celebrated photography as a physical record, whose authority and permanence promised an escape from the lack of certainty in speech. But later anthropologists faulted photography for failing to capture movement and process. Anthropology as a practice of “being there” has thus found itself entwined in an intimate engagement with photography as metaphor for the collection of evidence.

Through numerous examples from the annals of anthropological photography, Photography and Anthropology examines the history of anthropology’s enchantment with photography alongside the anthropological theory of photography and documentation.

Christopher Pinney is professor of anthropology and visual culture at University College London. He is the author of The Coming of Photography in India, Camera Indica: The Social Life of Indian Photographs, and “Photos of the Gods”: The Printed Image and Political Struggle in India, the latter two also published by Reaktion Books.

Prologue: Images of a Counterscience
One: The Doubled History of Photography and Anthropology
Two: The Trouble with Photography
Three: The Problem with Anthropology
Epilogue: The Holograph

References
Select Bibliography
Acknowledgements
Photo Acknowledgements
Index