Introduction
PART I
THE EARLY JOSEON DYNASTY: NEO-CONFUCIAN
IDEALS AND STRATEGIES OF RECLUSION
One Chinese Antiquity as an Ideal of Paradise
Two Court Traditions and Literati Styles
Three Women as Artists and Patrons
Four Strategies of Reclusion
Five Escapism and Diplomatic Exchange: Kim Myeongguk and Han Sigak
PART II
NATIVE THEMES VERSUS FOREIGN STYLE
Six e Korean Reception of the ‘Southern School of Painting’
Seven Between Old and New: Yun Duseo and Jo Yeongseok
Eight e Question of ‘True Scenery’
Nine Facets of Literati Art: Sim Sajeong and Gang Sehwang
Ten Individualist and Eccentric: Yi Insang and Choe Buk
Eleven Orthodoxy and Revival: From Kim Jeonghui to An Jungsik
PART III
DOCUMENTATION, DECORATION AND DISPLAY:
FROM COURT PAINTING TO FOLK ART
Twelve Painting Production at Court
Thirteen e Case of Kim Hongdo
Fourteen Court Painting and Minhwa
References
Bibliography
Index of Characters
Index of Painters
Acknowledgements
Photo Acknowledgements
Index
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