What Photographs Do: The Making and Remaking of Museum Cultures
University College London, 2022
Paper: 978-1-80008-299-1 | Cloth: 978-1-80008-300-4
See other books on: Art | Edwards, Elizabeth | Making | Museum Studies | Remaking
See other titles from University College London
Paper: 978-1-80008-299-1 | Cloth: 978-1-80008-300-4
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | TOC
ABOUT THIS BOOK
A collective case study of photographic culture through the lens of the Victoria and Albert Museum.
A massive quantity of museums’ photographic holdings resides not on gallery walls or archives, but outside of their formal collections, including reference photos and ephemera that are integral to the workings of museums. What Photographs Do explores how museums are defined through their photographic practices. Studied through the prism of the Victoria and Albert Museum in London, this collection asks complex and ambiguous questions about how accumulations of photographs create the values, hierarchies, histories, and knowledge systems of a museum ecosystem. Chapters are comprised of short, auto-ethnographic interventions from museum practitioners, from studio photographers and image managers to conservators and non-photographic curators, who address the significance of both historical and contemporary practices of photography in their work, providing an extensive and unique range of accounts of what photographs do in museums while also expanding the critical discourse of both photography and museums.
A massive quantity of museums’ photographic holdings resides not on gallery walls or archives, but outside of their formal collections, including reference photos and ephemera that are integral to the workings of museums. What Photographs Do explores how museums are defined through their photographic practices. Studied through the prism of the Victoria and Albert Museum in London, this collection asks complex and ambiguous questions about how accumulations of photographs create the values, hierarchies, histories, and knowledge systems of a museum ecosystem. Chapters are comprised of short, auto-ethnographic interventions from museum practitioners, from studio photographers and image managers to conservators and non-photographic curators, who address the significance of both historical and contemporary practices of photography in their work, providing an extensive and unique range of accounts of what photographs do in museums while also expanding the critical discourse of both photography and museums.
See other books on: Art | Edwards, Elizabeth | Making | Museum Studies | Remaking
See other titles from University College London
![](https://www.bibliovault.org/thumbs/978-1-55849-509-8-thumb.jpg ""Words for the Hour": A New Anthology of American Civil War Poetry")
![](https://www.bibliovault.org/thumbs/978-0-8173-6049-8-thumb.jpg "Writing into the Future: New American Poetries from "The Dial" to the Digital")
