ABOUT THIS BOOK

From chivalrous knights to damsels in distress, fire-breathing dragons, and high-walled towers, the characteristics and expectations we ascribe to stories of love and romance have their origins in some of the most beautiful and intriguing books of the Middle Ages. Encompassing Arthurian legends, Alexander the Great’s global conquests, sudden reversals of fortune, revenge, or enchantment, images and tales of medieval romance still resonate today. This beautifully illustrated history of romance legends explores the conjunctions of chivalric violence, love, sex, and piety that marked these striking and resonant stories.

Through a discussion of surviving manuscripts, printed books, and visual art, The Romance of the Middle Ages examines the development of romance as a literary genre, its place in medieval culture, and the scribes and readers who copied, owned, and commented on romance books—from magnificent illuminated manuscripts to personal notebooks. It describes the dangerous pull of desire in works by Dante, Chaucer, Malory, and many others, and traces the influence of these stories through their rewriting in Shakespeare, Spenser, Walter Scott, and Mark Twain, along with the medievalist visions of Morris, Rossetti, and Burne-Jones. The Romance of the Middle Ages then brings the story up to date by showing how later writers and artists have responded to medieval romance, including Tolkien, C. S. Lewis, and J. K. Rowling, and the very different knightly casts of Monty Python and Star Wars.

The Romance of the Middle Ages is an engaging analysis of stories that still have the power to capture our imaginations long after ‘happily ever after’.

AUTHOR BIOGRAPHY

Nicholas Perkins is a university lecturer in medieval English and fellow of St Hugh’s College, University of Oxford. His publications include Anglo-Saxon Culture and the Modern Imagination (edited with David Clark). Alison Wiggins is a senior lecturer in English Language at the University of Glasgow. She is also the editor of The Stanzaic Guy of Warwick.

REVIEWS

“An altogether delightful book. The authors have a gift for the telling detail, and for smuggling in the unexpected. It is hard to imagine a book that does its job, of introducing medieval romance and its afterlife to the general reader, more perfectly.”

— Derek Pearsall, University of York

"Evangelicals and literary critics have looked sternly askance at medieval romance for about six hundred years. Entirely undaunted, medieval romances pass insouciantly across borders of time, geography, social class, and gender with their passports of pleasure. Nicholas Perkins and Alison Wiggins here allow us to join those journeys of romance. Their lightly worn, precise scholarship takes us inside the books of these marvelous stories. This is a gorgeous, utterly delightful book."

— James Simpson, Harvard University

"This book is at once an informative and lively introduction to all aspects of romance—medieval and modern, its writers and readers, in manuscript and print—and a treasure trove of some of the Bodleian's visually most remarkable holdings."—Helen Cooper, Cambridge University

— Helen Cooper, Cambridge University

"A richly woven tapestry of image and text. A great resource and a wonderful read."

— Simon Armitage

"Among many marvelous reasons for renown, Oxford's Bodleian Library contains one of the world's most significant collections of medieval romance manuscripts and printed editions. From January to May 2012, this provided the library's featured exhibition, allowing the public to explore this extraordinary collection. Although the exhibition has since closed, the authors provide readers with a stimulating journey through the subject that will foster interest and inclination to pursue study of it beyond the exhibition and the book."

— Choice

"A handsome little volume that manages that rare balancing act between academic rigour and popular appeal. . . . A rewarding, entertaining but also stimulating volume, the fruit of a collaboration that has found the perfect balance between the thematic and the material, the abstract and the concrete, the academic and the popular."

— Notes and Queries

“Nicholas Perkins and Alison Wiggins are to be congratulated for this illuminating introduction to the field of medieval romance. . . . This lushly illustrated volume seeks to convey the ‘wonder and pleasure’ of the Bodleian’s rich collection. . . . While the book is designed as an introduction to the world of medieval romance for the interested nonacademic reader, such is the scholarly integrity of the work that it could also be prescribed as an introduction to romance for an undergraduate class. . . . A highly recommended read.”—Arthuriana

— Arthuriana

TABLE OF CONTENTS