Contents
Foreword | Olenka Horbatsch
Author’s Acknowledgements
Introduction
Abbreviated References
Chapter 1. Representing Colour without Printing in Colour
Chapter 2. The First Colour Woodcuts, 1482–1509
Chapter 3. Innovation and Experimentation in Imperial Augsburg, 1510–1520
Chapter 4. Innovation and Experimentation in Strasbourg, 1509–1515
Chapter 5. Printing Colour for Late Pre-Reformation Devotion
Chapter 6. Printing Colour after the Reformation, 1520–1600
Chapter 7. Living with Printed Colour
Chapter 8. German Chiaroscuro and Beyond, 1550–1600
Chapter 9. New ‘Old Master’ Colour Prints, 1600–1800
Bibliography
Index of Names and Places