Four Way Books, 2020 eISBN: 978-1-945588-59-4 | Paper: 978-1-945588-42-6 Library of Congress Classification PS3602.E66346A6 2020 Dewey Decimal Classification 811.6
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS
ABOUT THIS BOOK
“Because it is easier to miss a stranger / with your mother’s name,” Allison Benis White instead writes about five women named Wendy as a way into the complex grief that still lingers after the death of a sixth Wendy, the author’s long-absent mother. A series of epistolary poems addressed to Wendy O. Williams becomes an occasion for the speaker to eulogize as well as reflect on the singer’s life and eventual suicide: “What kind of love is death, I’m asking?” In the section devoted to Wendy Torrance, the fictional wife from The Shining who was bludgeoned by her husband, the speaker muses on the inadequacy of language to resolve or even contain grief in the wake of trauma: “A book is a coffin. Hoarsely. A white sheet draped over the cage of being.” Ultimately, The Wendys is a book of silences and space in which tenderness and violence exist in exquisite tension. “If to speak is to die,” White writes in “Ignis Fatuus,” “I will whisper.”
AUTHOR BIOGRAPHY
Allison Benis White is also the author of Please Bury Me in This, winner of the Rilke Prize, and Small Porcelain Head, selected by Claudia Rankine for the Four Way Books Levis Prize in Poetry and named a finalist for the PEN Center USA Literary Award and the California Book Award. Her first book, Self-Portrait with Crayon, received the Cleveland State University Poetry Center Book Prize. Her poems have appeared in American Poetry Review, New England Review, Ploughshares, Pushcart Prize XLI: Best of the Small Presses, and elsewhere. She is an associate professor at the University of California, Riverside.
REVIEWS
" Allison Benis White uses acute, exquisitely wrought lines to examine violence against women in The Wendys (Four Way, Mar.)...."