Four Way Books, 2020 eISBN: 978-1-945588-57-0 | Paper: 978-1-945588-47-1 Library of Congress Classification PS3613.U6945A6 2020 Dewey Decimal Classification 811.6
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS
ABOUT THIS BOOK John Murillo’s second book is a reflective look at the legacy of institutional, accepted violence against Blacks and Latinos and the personal and societal wreckage wrought by long histories of subjugation. A sparrow trapped in a car window evokes a mother battered by a father’s fists; a workout at an iron gym recalls a long-ago mentor who pushed the speaker “to become something unbreakable.” The presence of these and poetic forbears—Gil Scott-Heron, Yusef Komunyakaa—provide a context for strength in the face of danger and anger. At the heart of the book is a sonnet crown triggered by the shooting deaths of three Brooklyn men that becomes an extended meditation on the history of racial injustice and the notion of payback as a form of justice.
AUTHOR BIOGRAPHY John Murillo is the author of the poetry collections, Up Jump the Boogie (Cypher 2010, Four Way Books 2020), finalist for both the Kate Tufts Discovery Award and the Pen Open Book Award, and Kontemporary Amerikan Poetry (Four Way 2020). His honors include two Larry Neal Writers Awards, a pair of Pushcart Prizes, the J Howard and Barbara MJ Wood Prize from the Poetry Foundation, and fellowships from the National Endowment for the Arts, the Bread Loaf Writers Conference, Fine Arts Work Center in Provincetown, Cave Canem Foundation, and the Wisconsin Institute for Creative Writing. Recent poems have appeared, or are forthcoming, in such publications as American Poetry Review, Poetry, and Best American Poetry 2017, 2019, and 2020. He is an assistant professor of English and director of the creative writing program at Wesleyan University and also teaches in the low residency MFA program at Sierra Nevada University. He lives in Brooklyn.
"In this clear-eyed collection of highly referential, yet decidedly grounded poems, widely acclaimed writer Murillo adopts a deceptively conversational tone to address violence in Black communities, and the broad landscape of American poetics....Murillo proves himself to be steeped in the traditions of American poetry, carving his own path and curating his own canon...."
— Diego Báez, Booklist
"...These poems juxtapose bruising firsthand experience against dry conceptual categories (“On Lyric Narrative,” “On Confessionalism”) with a dexterous sense of rhythm and internal and end rhyme as influenced by The Notorious B.I.G. and Elizabeth Bishop. Murillo’s rage against stereotypes and systemic injustice burns through these poems..."
— Publishers Weekly
"In his new collection (after Up Jump the Boogie), Murillo uses conversational but carefully crafted language to articulate the pure pain of living, particularly in a world contorted by institutional racism, and how he works daily to save himself."
Four Way Books, 2020 eISBN: 978-1-945588-57-0 Paper: 978-1-945588-47-1
John Murillo’s second book is a reflective look at the legacy of institutional, accepted violence against Blacks and Latinos and the personal and societal wreckage wrought by long histories of subjugation. A sparrow trapped in a car window evokes a mother battered by a father’s fists; a workout at an iron gym recalls a long-ago mentor who pushed the speaker “to become something unbreakable.” The presence of these and poetic forbears—Gil Scott-Heron, Yusef Komunyakaa—provide a context for strength in the face of danger and anger. At the heart of the book is a sonnet crown triggered by the shooting deaths of three Brooklyn men that becomes an extended meditation on the history of racial injustice and the notion of payback as a form of justice.
AUTHOR BIOGRAPHY John Murillo is the author of the poetry collections, Up Jump the Boogie (Cypher 2010, Four Way Books 2020), finalist for both the Kate Tufts Discovery Award and the Pen Open Book Award, and Kontemporary Amerikan Poetry (Four Way 2020). His honors include two Larry Neal Writers Awards, a pair of Pushcart Prizes, the J Howard and Barbara MJ Wood Prize from the Poetry Foundation, and fellowships from the National Endowment for the Arts, the Bread Loaf Writers Conference, Fine Arts Work Center in Provincetown, Cave Canem Foundation, and the Wisconsin Institute for Creative Writing. Recent poems have appeared, or are forthcoming, in such publications as American Poetry Review, Poetry, and Best American Poetry 2017, 2019, and 2020. He is an assistant professor of English and director of the creative writing program at Wesleyan University and also teaches in the low residency MFA program at Sierra Nevada University. He lives in Brooklyn.
"In this clear-eyed collection of highly referential, yet decidedly grounded poems, widely acclaimed writer Murillo adopts a deceptively conversational tone to address violence in Black communities, and the broad landscape of American poetics....Murillo proves himself to be steeped in the traditions of American poetry, carving his own path and curating his own canon...."
— Diego Báez, Booklist
"...These poems juxtapose bruising firsthand experience against dry conceptual categories (“On Lyric Narrative,” “On Confessionalism”) with a dexterous sense of rhythm and internal and end rhyme as influenced by The Notorious B.I.G. and Elizabeth Bishop. Murillo’s rage against stereotypes and systemic injustice burns through these poems..."
— Publishers Weekly
"In his new collection (after Up Jump the Boogie), Murillo uses conversational but carefully crafted language to articulate the pure pain of living, particularly in a world contorted by institutional racism, and how he works daily to save himself."