"Wynken, Blynken, and Nod have never been so ingeniously revived as in this rollicking romp of a book! In You Shall See the Beautiful Things, Steve Amick creates a zany world that, ultimately, shows us more about the tenderness of the human heart and the mysteries of this star-filled world."
— Ellen Bass, Chancellor Emerita, Academy of American Poets
"Love this this sweet, clever, and gritty retelling of the 'Dutch Lullaby,' the one about the army deserter opium addict, the lovesick balladeer with a voice like 'an ill-fitting oarlock,' and the radish-eating narcoleptic—in a boat. Yet it's no joke: Amick’s language is inspired, as transcendent as the inaugural fishing trip in the small craft these unlikely friends build at the edge of the North Sea. Every page is filled with marvelous revelations about the nature of the world and about being human. Amick’s vivid landscape of the 1880s herring-centered world even includes glimpses of Vincent 'Cent' Van Gogh. Here, despite the weight of colonialism, war, and financial and family struggles, folks with open hearts can still find magic and goodness, can still live lives 'mostly full of awe.' You Shall See the Beautiful Things is a promise delivered."
— Bonnie Jo Campbell, author of "Mothers, Tell Your Daughters"
"Amick presents an innovative retelling of nineteenth-century American poet Eugene Field’s 'Wynken, Blynken, and Nod.' . . . In what is tagged as a novel and a nocturne, Amick introduces characters Winken van Winkel, Ned Nodder, and Luuk Blenkin. In keeping with elements of a nocturne, much of the story takes place in the evening or at night, and as it alternates between fantasy and reality, it evokes a dreamlike atmosphere. . . . Readers find themselves in the center, stitching and weaving together the characters' fantasies and realities. Cleverly, Amick’s story and its themes lead readers to reflect on their own experiences; creatively, it inspires readers to construct their own unique interpretations."
— Booklist
"In a tale fit for a dreamy summer night. . . Amick's new novel waltzes across fantasy and history. . . . There's something in this story about male vulnerability—and maybe about the necessity of becoming more comfortable with feeling unmoored. It was so present in all three [characters]. . . . The story is absolutely gorgeous."
— April Baer in an interview with the author, Stateside, Michigan Public Radio