“Christoph Irmsche’s The Poetics of Natural History now joins such books as Pamela Regi’s Describing Early America (1992) and Margaret Welch’s The Book of Nature (1998) as a major contribution to our understanding of American natural history and its cultural value. Irmscher’s book, which covers the period from the rise of American botanical studies in the 1730s through the establishment of the Darwinian paradigm in the late 1860s, is distinguished by its scholarly breadth, extensive use of manuscript sources, and insightful interpretations of natural history illustrations and collections as well as written text. The Poetics of Natural History gracefully combines study of autodidacts such as John Bartram, professional naturalists such as Louis Agassiz, and popularizers of natural history such as P. T. Barnum. . . .The Poetics of Natural History is . . . an impressive accomplishment and a welcome addition to the growing body of solid critical studies of the cultural and literary significance of American natural history.”
 

“Focusing his attention on nature’s nation between, roughly the Revolution and the end of the Civil War, Irmscher’s central concern is with the image of the naturalist who creates a collection and then puts himself into it.”
 

"American natural history owes much to gifted amateurs who, in the late 18th and early 19th centuries, traveled widely, collected willy-nilly, and then, back at home, devoted years to sorting through their collections and cataloging their contents--an enterprise that introduced scientific rigor into what had been a kind of hobby. So writes literary scholar Christoph Irmscher, who, in exploring the aesthetic aspects of American natural history, considers the careers of several early naturalists, including Charles Willson Peale, John Bartram, John James Audubon, Louis Agassiz, and, in an unlikely turn, the showman P.T. Barnum, who turned a penchant for collecting oddments of nature into an itinerant freak show. All of these, Irmscher writes, delighted in 'transforming relatively random assemblages of natural collectibles into works of art,' works that would in many instances form the foundations for what are today important collections. Among the many pleasant surprises in Irmscher's narrative is an account of an 1865 trip organized by Agassiz to the Amazon River. One of the participants was the young William James, who would later become a famed psychologist and who wrote admiringly of Agassiz's relentless energy in pursuit of scientific specimens while admitting, 'If there is anything I hate it is collecting.' Irmscher's elegant book will be of interest to historians of 19th-century science, and to general readers with a fondness for the work of the brilliant, often eccentric, amateurs of the past."

" Arguably a classic in its field, this new edition of The Poetics of Natural History is unreservedly recommended as a core addition to community, college, and university library collections and supplemental studies lists."

"The first edition of Irmscher's magisterial study is a benchmark in critical interpretation of natural history. With this extraordinary new edition, enhanced by Rosamund Purcell’s photographs, it becomes a classic."

“As deep as it is dazzling, this beautiful book sets in fresh context a view of the world almost lost to us.”

"Christoph Irmscher’s remarkable intelligence and engaging style make The Poetics of Natural History a foundational work in the environmental humanities. No book has done more to illuminate the vital relationship between natural history and literary culture in America."

“A veritable dialectical tour de force of Linnean taxonomy, cultural history, literature, and self-conscious awareness of the artist creating the art work. . . . From discussing discrete pieces of nature (taxonomy) to lyrical narrative and meaning derived from the analysis of both, The Poetics of Natural History stands as a thorough study that confirms its own thesis as revealed in the title. Scholarly, witty, and articulate, it adds a seminal work to the genre.”
 

"This new edition of Irmscher’s classic text is an excellent example of the value of attention to small details, as well as the tapestry into which they are woven. The combination of stage-setting and specific detail gives an incredible sense of the richness of the world Irmscher presents."

"Herpetologists and other naturalists interested in the history of their subject will want this book for the wealth of information it contains on perspectives of collecting and natural history in pre-Darwinian America...The book presents a most interesting history and literary analysis."